Paul Robertson
Devil Eyes:
http://www.youtube.com/watch?v=JFbceSyo-Xg
Kings of Power 4 Billion:
http://shapeandcolour.wordpress.com/2008/10/16/paul-robertson-kings-of-power-4-billion/
Hyper Parsnip Bitches:
http://shapeandcolour.wordpress.com/2008/12/17/paul-robertson-hyper-parsnip-bitches/
The Magic Touch:
http://www.youtube.com/watch?v=wBi3Do9ATQA
http://probertson.livejournal.com/
http://www.youtube.com/watch?v=JFbceSyo-Xg
Kings of Power 4 Billion:
http://shapeandcolour.wordpress.com/2008/10/16/paul-robertson-kings-of-power-4-billion/
Hyper Parsnip Bitches:
http://shapeandcolour.wordpress.com/2008/12/17/paul-robertson-hyper-parsnip-bitches/
The Magic Touch:
http://www.youtube.com/watch?v=wBi3Do9ATQA
http://probertson.livejournal.com/
Jesper Just
Odd Nerdrum
Love Divided:
http://claytoncubitt.tumblr.com/post/62223962
Dying Couple:
http://claytoncubitt.tumblr.com/post/62224099
Dawn:
http://claytoncubitt.tumblr.com/post/62225104
Dust Lickers:
http://www.nerdrum.com/works/index.php?id=120
Wanderers by the Sea:
http://artscenecal.com/ArtistsFiles/NerdrumO/NerdrumOPics/ONerdrum2.html
http://www.ebsqart.com/ArtMagazine/za_77.htm
http://www.nerdrum.com/
http://en.wikipedia.org/wiki/Odd_Nerdrum
http://claytoncubitt.tumblr.com/post/62223962
Dying Couple:
http://claytoncubitt.tumblr.com/post/62224099
Dawn:
http://claytoncubitt.tumblr.com/post/62225104
Dust Lickers:
http://www.nerdrum.com/works/index.php?id=120
Wanderers by the Sea:
http://artscenecal.com/ArtistsFiles/NerdrumO/NerdrumOPics/ONerdrum2.html
http://www.ebsqart.com/ArtMagazine/za_77.htm
http://www.nerdrum.com/
http://en.wikipedia.org/wiki/Odd_Nerdrum
Frans Zwartjes
Anamnesis:
http://www.ubu.com/film/zwartjes_anamnesis.html
Visual Training:
http://www.ubu.com/film/zwartjes_visual.html
Behind Your Walls:
http://www.ubu.com/film/zwartjes_walls.html
http://www.ubu.com/film/zwartjes.html
http://www.ubu.com/film/zwartjes_anamnesis.html
Visual Training:
http://www.ubu.com/film/zwartjes_visual.html
Behind Your Walls:
http://www.ubu.com/film/zwartjes_walls.html
http://www.ubu.com/film/zwartjes.html
Sam Taylor-Wood
Still Life:
http://www.ubu.com/film/tw_still.html
A Little Death:
http://www.ubu.com/film/tw_death.html
Brontosaurus:
http://www.ubu.com/film/tw_brontosaurus.html
Mute:
http://www.ubu.com/film/tw_mute.html
Ascension:
http://www.ubu.com/film/tw_ascension.html
http://www.ubu.com/film/tw.html
http://www.ubu.com/film/tw_still.html
A Little Death:
http://www.ubu.com/film/tw_death.html
Brontosaurus:
http://www.ubu.com/film/tw_brontosaurus.html
Mute:
http://www.ubu.com/film/tw_mute.html
Ascension:
http://www.ubu.com/film/tw_ascension.html
http://www.ubu.com/film/tw.html
Jockum Nordström
http://www.artnet.com/Artists/LotDetailPage.aspx?lot_id=E1C7821ED1A8CD41BD8476939FCF2094
http://www.artnet.com/Artists/LotDetailPage.aspx?lot_id=85CEDB326BD1BCA02BD9AF67A052DB6F
http://www.artnet.com/Artists/LotDetailPage.aspx?lot_id=2E3E54CCCBCDAD21FAD96741A8CD9C31
http://www.davidzwirner.com/artists/6/index.htm
http://www.artnet.com/Artists/LotDetailPage.aspx?lot_id=85CEDB326BD1BCA02BD9AF67A052DB6F
http://www.artnet.com/Artists/LotDetailPage.aspx?lot_id=2E3E54CCCBCDAD21FAD96741A8CD9C31
http://www.davidzwirner.com/artists/6/index.htm
Eric Fried
Who's in Charge Here?
==================
It happened
and happens now as before
and will keep happening
if nothing happens against it
The innocents know nothing
because they're too innocent
and the guilty ones know nothing
because they're too guilty
The poor don't notice
because they're too poor
and the rich don't notice it
because they're too rich
The stupid ones shrug their shoulders
because they're too stupid
and the smart ones shrug their shoulders
because they're too smart
To young ones it doesn't matter
because they're too young
and to old ones it doesn't matter
because they're too old
This is why nothing happens against it
and this is why it happened
and happens as before
and will always keep happening
Eric Fried
It Is What It Is
============
It is madness
says reason
It is what it is
says love
It is unhappiness
says caution
It is nothing but pain
says fear
It has no future
says insight
It is what it is
says love
It is ridiculous
says pride
It is foolish
says caution
It is impossible
says experience
It is what it is
says love.
Eric Fried
http://en.wikipedia.org/wiki/Erich_Fried
==================
It happened
and happens now as before
and will keep happening
if nothing happens against it
The innocents know nothing
because they're too innocent
and the guilty ones know nothing
because they're too guilty
The poor don't notice
because they're too poor
and the rich don't notice it
because they're too rich
The stupid ones shrug their shoulders
because they're too stupid
and the smart ones shrug their shoulders
because they're too smart
To young ones it doesn't matter
because they're too young
and to old ones it doesn't matter
because they're too old
This is why nothing happens against it
and this is why it happened
and happens as before
and will always keep happening
Eric Fried
It Is What It Is
============
It is madness
says reason
It is what it is
says love
It is unhappiness
says caution
It is nothing but pain
says fear
It has no future
says insight
It is what it is
says love
It is ridiculous
says pride
It is foolish
says caution
It is impossible
says experience
It is what it is
says love.
Eric Fried
http://en.wikipedia.org/wiki/Erich_Fried
Wolpertinger
The Wolpertinger (Crisensus bavaricus) is a fictional animal said to inhabit the alpine forests of Bavaria in Germany. It has body parts of various animals — generally wings, antlers, and fangs, all attached to the body of a small mammal. The most widespread description is that of a horned rabbit or a horned squirrel. It is similar to the Rasselbock of the Thuringian Forest, the Elwedritsche of the Palatinate region, which is described as a chicken-like creature with antlers, and to the American invention of the jackalope, as well as to the Swedish Skvader.
The Wolpertinger is not a typical cryptid, as local people probably never believed in its existence.
http://en.wikipedia.org/wiki/Wolpertinger
The Wolpertinger is not a typical cryptid, as local people probably never believed in its existence.
http://en.wikipedia.org/wiki/Wolpertinger
Andreas Zingerle
Extension of Human Sight:
http://www.triggermedia.net/az08/index.php?Solargrafica-11
Solargrafica:
http://www.triggermedia.net/az08/index.php?Solargrafica-1
http://www.andreaszingerle.at/
http://www.triggermedia.net/az08/index.php?Solargrafica-11
Solargrafica:
http://www.triggermedia.net/az08/index.php?Solargrafica-1
http://www.andreaszingerle.at/
Mysteries Art Quotes
We all move on the fringes of eternity and are sometimes granted vistas through fabric of illusion. Many refuse to admit it: I feel a mystery exists. There are certain times, when, as on the whisper of the wind, there comes a clear and quiet realization that there is indeed a presence in the world, a nonhuman entity that is not necessarily inhuman. (Ansel Adams)
http://quote.robertgenn.com/getquotes.php?catid=201&numcats=345
http://quote.robertgenn.com/getquotes.php?catid=201&numcats=345
David Icke
David Icke - Was he right?:
http://video.google.com/videoplay?docid=6860946590182985661
http://www.davidicke.com
http://video.google.com/videoplay?docid=6860946590182985661
http://www.davidicke.com
David Schnell
http://visualinventory.blogspot.com/2009/12/david-schnell.html
http://www.mart.trento.it/UploadImgs/1990_05__DSchnell_Thermik.jpg
http://visualinventory.blogspot.com/2008/05/david-schnell.html
http://thoughtsonart.com/artists/schnell_david_german_art_painting/schnell_david_rauch_german_painter.html
http://arthistory.about.com/od/from_exhibitions/ig/lifeafterdeath/lad_frye_04.htm
http://www.washingtonpost.com/wp-dyn/content/article/2006/10/02/AR2006100201295.html
http://www.eigen-art.com/Kuenstlerseiten/David_Schnell/DSchnell_EA08_EN.html
http://www.eigen-art.com/Kuenstlerseiten/David_Schnell/DSchnell_LW_EN.html
http://www.mart.trento.it/UploadImgs/1990_05__DSchnell_Thermik.jpg
http://visualinventory.blogspot.com/2008/05/david-schnell.html
http://thoughtsonart.com/artists/schnell_david_german_art_painting/schnell_david_rauch_german_painter.html
http://arthistory.about.com/od/from_exhibitions/ig/lifeafterdeath/lad_frye_04.htm
http://www.washingtonpost.com/wp-dyn/content/article/2006/10/02/AR2006100201295.html
http://www.eigen-art.com/Kuenstlerseiten/David_Schnell/DSchnell_EA08_EN.html
http://www.eigen-art.com/Kuenstlerseiten/David_Schnell/DSchnell_LW_EN.html
Tobias Madison
The Last Panda Just Died:
http://daskonkret.com/madison/panda/Untitled.html
http://daskonkret.com/madison/
http://daskonkret.com/madison/panda/Untitled.html
http://daskonkret.com/madison/
Bani Abidi
Security Barriers A-L:
http://www.baniabidi.com/links/BarrierA.html
http://www.baniabidi.com/works.html
http://www.baniabidi.com/links/BarrierA.html
http://www.baniabidi.com/works.html
moresoon.org
Introducing:
http://moresoon.org/projects/introducing.html
Tales of the Unexpected:
http://moresoon.org/projects/Tales_of_the_Unexpected.html
A Strange Theory of Light and Matter:
http://moresoon.org/projects/strange.html
http://moresoon.org/
http://moresoon.org/projects/introducing.html
Tales of the Unexpected:
http://moresoon.org/projects/Tales_of_the_Unexpected.html
A Strange Theory of Light and Matter:
http://moresoon.org/projects/strange.html
http://moresoon.org/
Responses to YouTube
Die Zeit: Do you concern yourself with new media and technology?
Jean-Luc Godard: I try to keep up. But people make films on the Internet to show that
they exist, not in order to look at things.
http://networkcultures.org/wpmu/portal/files/2008/10/vv_reader_small.pdf
Jean-Luc Godard: I try to keep up. But people make films on the Internet to show that
they exist, not in order to look at things.
http://networkcultures.org/wpmu/portal/files/2008/10/vv_reader_small.pdf
Psychology of Victimhood
http://jonesthought.wordpress.com/2008/10/09/psychology-of-victimhood-by-ofer-zur-phd
Wolfgang Tillmans
http://outsidetheivorytower.blogspot.com/2008/08/wolfgang-tillmans.html
http://www.tillmans.co.uk/images/stories/pdf/WT_US_Tour_Catalogue_2006-07.pdf
http://outsidetheivorytower.blogspot.com/2008/08/wolfgang-tillmans.html
http://www.portlandart.net/archives/2006/08/tillmans_in_chi.html
http://www.maureenpaley.com/maureenpaley.php?color=yellow&element=4093&id_cache=1-28-3&element_inside=4100
http://mooonriver.blogspot.com/2008/08/wolfgang-tillmans-irresistible-work.html
http://www.tillmans.co.uk/
http://www.tillmans.co.uk/images/stories/pdf/WT_US_Tour_Catalogue_2006-07.pdf
http://outsidetheivorytower.blogspot.com/2008/08/wolfgang-tillmans.html
http://www.portlandart.net/archives/2006/08/tillmans_in_chi.html
http://www.maureenpaley.com/maureenpaley.php?color=yellow&element=4093&id_cache=1-28-3&element_inside=4100
http://mooonriver.blogspot.com/2008/08/wolfgang-tillmans-irresistible-work.html
http://www.tillmans.co.uk/
Claire Evans
Ok to Go:
http://vimeo.com/1559805
Digital Decay:
http://vimeo.com/400918
Stranger in a Strange Land:
http://www.vimeo.com/2024516
http://www.clairelevans.com/video.html
http://vimeo.com/1559805
Digital Decay:
http://vimeo.com/400918
Stranger in a Strange Land:
http://www.vimeo.com/2024516
http://www.clairelevans.com/video.html
Gebhard Sengmüller
Vinyl Video:
http://www.gebseng.com/03_vinylvideo/
VSSTV - Very Slow Scan Television:
http://www.gebseng.com/02_vsstv/
A Parallel Image:
http://www.gebseng.com/08_a_parallel_image/promo_pics/
Slide Movie - Diafilmprojektor:
http://www.gebseng.com/04_slidemovie/
TV Poetry:
http://www.gebseng.com/05_tv_poetry/
http://www.gebseng.com/
http://www.gebseng.com/03_vinylvideo/
VSSTV - Very Slow Scan Television:
http://www.gebseng.com/02_vsstv/
A Parallel Image:
http://www.gebseng.com/08_a_parallel_image/promo_pics/
Slide Movie - Diafilmprojektor:
http://www.gebseng.com/04_slidemovie/
TV Poetry:
http://www.gebseng.com/05_tv_poetry/
http://www.gebseng.com/
Le krach actuel représente l'accident intégral par excellence
Paul Virilo interviewed by Gerard Courtois and Michel Guerrin.
original article (in French) in le Monde at: http://tinyurl.com/57a3hb
For thirty years now, the philospher Paul Virilio analyses the
catastrophe as the unavoidable consequence of technological progress.
He sees in the current financial crisis the most accomplished example
of his theory, a catastrophe where the victims do not actually die,
but lose the roof above their heads by the thousands.
Gerard Courtois/Michel Guerrin: In 2002 you have produced an
exhibition at the Maison Cartier under the title "Ce qui
arrive" ('that what occurs' ['Unknown quantity', in its official
english title]); It was about the accident in contemporary history:
Tchernobyl, 9-11, the Tsunami... A statement by Hannah Arendt was the
marker of your demonstration: "progress and catastrophe are the two
faces of the same coin". Is this where we have come to with the
'crash of the stock exchange'?
Paul Virilio: Well, of course. In 1979, at the time of the mishap at
the Three Mile Island nuclear plant in the U.S., I did mention the
occurrence of an "original accident" - the kind of accident we bring
forth ourselves. I said that our technical prowess was pregnant of
catastrophic promises. In the past, accidents were local affairs.
With Tchernobyl, we have entered the era of global accidents, whose
consequences are in the realm of the long term. The current crash
represents the perfect 'integral accident'.
Its effect ripple far and wide, and it incorporates the
representation of all other accidents. For thirty years now, the
phenomenon of History accelerating has been negated, together with
the fact that this acceleration has been the prime mover of the
proliferation of major accidents. Freud said it, speaking of death:
"accumulation snuffs out the perception of contingency". Contingency
is the key word here. These accidents are not contigent occurences.
For the time being, the prevalent opinion is that researching the
crash of the stock exchange as a political and economic issue and in
terms of its social consequences is adequate enough. But it is
impossible to understand what is going on if one does not implement a
(policy based on the) political economy of speed, the speed that
technological progress engenders, and if one does not link (this
policy) to the 'accidental' character of History. Let's take just one
example: the dictum "time is money". I add to this, and the stock
exchange testify to it: "speed is power". We have moved from the
stage of the acceleration of History to that of the acceleration of
the Real. This is what 'the progress' is: a consensual sacrifice.
GC/MG: So accidents are too little researched?
PV: The dominant form of writing about History limits itself to the
study of facts as seen in the light of the long term. Contrarywise, I
advocate a study of History based exlusively on ruptures. (French)
Historian Francois Hartog calls the dominant paradigm "presentism".
We must go further. Our paradigm should be "instantaneism". In order
to study accidents, one of course must research them, but also
'expose' them. The accident is 'invented', it a work of creation. Who
could be more apt than artists to make feel the tragic dimention of
human development (progress)? That was the intent behind the "ce qui
arrive" exhibition - where, by the way, I did mention a stock
exchange crash. It stood for the museum, or the observatory, of major
accidents that I'd like to see coming about some day. Not in order to
instill fear, but to make us face up.
GC/MG: But then, how would you define the crash of the stock
exchange, over and beyond its surprise element?
PV: Like with any contemporary event, it is essential to take into
account the integration in synchronous time of various issues at the
world-level. A synchronisation has taken place of customs, habits,
mores, ways to react to things, and also, of emotions. We have left
the era of class-based communitarism for that of instant and
simultaneous globalisation of affects and fears - but not longer of
opinions. It was already the case with the attacks on the World Trade
Center and with the Tsunami. The same happens now with the financial
crash. After a short 'technical' phase - bank collapses, shares fall-
out - kicks in a phase of 'hystery-isation' of responses. There is
talk of "markets going mad", of "irrational" reactions, you'd almost
call it 'end of the world craze'. Terrorists have very well
understood this mechanism, and they make use of it.
GC/MG Do you, like some people do, believe that capitalism is nearing
its end?
PV: I rather believe that the end is nearing capitalism. My field is
urban studies. This crisis shows that the Earth is not large enough
for progress, for the speed of History (as we have it). Hence
repetitive accidents. We were living in the belief that we had both a
past and a future. But 'the past does not pass', it has become a
monster, so much so that we do not mention it anymore. And as far as
the future is concerned, it is severely questioned by the issue of
the environment, and the end of natural resources like oil. So the
only place left for us to inhabit is the present. But the writer
Octavio Paz said it before: "you cannot live in the present moment,
just as you cannot live in the future". It is exactly what all of us
are now going through, and that includes the bankers.
GC/MG: But did not the financial world bring about (invent) a virtual
world?
PV: Since speed earns money, the financial sphere has attempted to
enforce the value of time above the value of space. But the virtual
is also part and parcel of reality. And to be frank with you, this so-
called virtual world, in which one can also include tax-heavens, is a
form of exotism, which I tend to equate with colonialism. It is the
(recurrent) myth of another livable planet.
GC/MG: As opposed to other accidents, the crash of the stock exchange
remains something of an enigma to the public at large. Is this bad?
PV: Well, one does not understand the fine points, but one can guess,
and that is enough. One must guess (about) what occurs. Not being
able to understand naturally reinforces fear. But, at the same time,
we do not longer have the time left to experience fear. What is
really disturbing is the rise of a 'civil deterrence' of sorts, which
is individual and intimate, and which permeates all aspects of life.
We are being deterred to do this or that as individuals. Ever since
9-11 we have been affected by a 'civil fear', and the
industrialisation of the accident is its root cause. So, in order to
study the impact of collisions, car makers stage 'test crashes'. The
crash of the stock exchange is such a test crash - but at the real
level. Even the break-up of relationships has been industrialised.
One could even introduce some mechanism of quotes for divorces,
risking hereby to show that the traditional couple and family has
become an illusion.
GC/MG: Could one also speak of a morality of the stock exchange
crash, in the sence that also those who were making fortunes get
blasted?
PV: I am not a vigilante. I do empathise with critics who say that
some people have made obscene profits. I do not deny the damage
caused by the accumulation of riches in a few hands. But to merely
criticise this acceleration of profits and History, this "galloping
avarice", as Eugene Sue called it, while remaining in the materialist
framework of profit, is a deficient, reductionist analysis. What is
happening is much more complex, and profoundly disturbing. We have
gone into someting of a different nature. This economy of wealth has
become an economy of speed. By the way, this is the problem the Left
is currently facing. The Left is stuck in its old framework, states
that capitalism is dead, and now thinks that more social justice is
to come about. This is a bit hasty a deduction. We do really have a
major problem on our plates... If the state does not take stock of
this 'futurism of the moment', we might well see instead a capitalism
running riot without bounds whatsoever.
GC/MG: You wrote once "By designing a 800 passengers plane, the firm
Airbus has simultaneously created 800 potential casualties". But till
now, the crash of the stock exchange did not kill anyone...
PV: The crash is not the Black Death, there haven't been millions of
victims, and it's not the 11th of September either. We are not
talking death here, save maybe a few suicides. The victims are
somewhere else to be found. Where did the current crisis stem from?
the answer is: subprime mortgages; housing credit that proved
unsustainable; land. The victims are the hundred of thousands of
people who are going to lose their homes. The whole concept of
sedentarism had already been challenged by immigrants, exiles,
deportations, refugees - and the delocalisation of economic
activities. This phenomenon is bound to increase. Till 2040, one
billion people will have to move out from their residence. Those are
the victims. We are in the realm of "stop/eject". People are
arrested, get expelled.
GC/MG: You believe in chaos?
PV: Having destabilized the financial system, the stock exchange
crash might well destabilise the state, which is the guarantor of
last resort of collective life. For the time being, the state tries
te be reassuring. But if the bourses keep on heading south, it will
be state itself that will go in receivership, and that will plunge
nations into chaos. This is not me embracing catastrophism. I do not
believe in the unavoidability of the worst possible, I do not believe
in chaos, that is an untenable position, intellectual arrogance. But
that does not mean that one should be prevented from thinking about
it. Faced with absolute fear, I counter with hope absolute. Churchill
said once that an optimist is somebody who sees opportunity hiding
behind every calamity.
Translated by patrice riemens with thanks to apo33 in Nantes for
providing facilitation.
Distributed as CC by-nc-nd
http://creativecommons.org/licenses/by-nc-nd/2.0/
original article (in French) in le Monde at: http://tinyurl.com/57a3hb
For thirty years now, the philospher Paul Virilio analyses the
catastrophe as the unavoidable consequence of technological progress.
He sees in the current financial crisis the most accomplished example
of his theory, a catastrophe where the victims do not actually die,
but lose the roof above their heads by the thousands.
Gerard Courtois/Michel Guerrin: In 2002 you have produced an
exhibition at the Maison Cartier under the title "Ce qui
arrive" ('that what occurs' ['Unknown quantity', in its official
english title]); It was about the accident in contemporary history:
Tchernobyl, 9-11, the Tsunami... A statement by Hannah Arendt was the
marker of your demonstration: "progress and catastrophe are the two
faces of the same coin". Is this where we have come to with the
'crash of the stock exchange'?
Paul Virilio: Well, of course. In 1979, at the time of the mishap at
the Three Mile Island nuclear plant in the U.S., I did mention the
occurrence of an "original accident" - the kind of accident we bring
forth ourselves. I said that our technical prowess was pregnant of
catastrophic promises. In the past, accidents were local affairs.
With Tchernobyl, we have entered the era of global accidents, whose
consequences are in the realm of the long term. The current crash
represents the perfect 'integral accident'.
Its effect ripple far and wide, and it incorporates the
representation of all other accidents. For thirty years now, the
phenomenon of History accelerating has been negated, together with
the fact that this acceleration has been the prime mover of the
proliferation of major accidents. Freud said it, speaking of death:
"accumulation snuffs out the perception of contingency". Contingency
is the key word here. These accidents are not contigent occurences.
For the time being, the prevalent opinion is that researching the
crash of the stock exchange as a political and economic issue and in
terms of its social consequences is adequate enough. But it is
impossible to understand what is going on if one does not implement a
(policy based on the) political economy of speed, the speed that
technological progress engenders, and if one does not link (this
policy) to the 'accidental' character of History. Let's take just one
example: the dictum "time is money". I add to this, and the stock
exchange testify to it: "speed is power". We have moved from the
stage of the acceleration of History to that of the acceleration of
the Real. This is what 'the progress' is: a consensual sacrifice.
GC/MG: So accidents are too little researched?
PV: The dominant form of writing about History limits itself to the
study of facts as seen in the light of the long term. Contrarywise, I
advocate a study of History based exlusively on ruptures. (French)
Historian Francois Hartog calls the dominant paradigm "presentism".
We must go further. Our paradigm should be "instantaneism". In order
to study accidents, one of course must research them, but also
'expose' them. The accident is 'invented', it a work of creation. Who
could be more apt than artists to make feel the tragic dimention of
human development (progress)? That was the intent behind the "ce qui
arrive" exhibition - where, by the way, I did mention a stock
exchange crash. It stood for the museum, or the observatory, of major
accidents that I'd like to see coming about some day. Not in order to
instill fear, but to make us face up.
GC/MG: But then, how would you define the crash of the stock
exchange, over and beyond its surprise element?
PV: Like with any contemporary event, it is essential to take into
account the integration in synchronous time of various issues at the
world-level. A synchronisation has taken place of customs, habits,
mores, ways to react to things, and also, of emotions. We have left
the era of class-based communitarism for that of instant and
simultaneous globalisation of affects and fears - but not longer of
opinions. It was already the case with the attacks on the World Trade
Center and with the Tsunami. The same happens now with the financial
crash. After a short 'technical' phase - bank collapses, shares fall-
out - kicks in a phase of 'hystery-isation' of responses. There is
talk of "markets going mad", of "irrational" reactions, you'd almost
call it 'end of the world craze'. Terrorists have very well
understood this mechanism, and they make use of it.
GC/MG Do you, like some people do, believe that capitalism is nearing
its end?
PV: I rather believe that the end is nearing capitalism. My field is
urban studies. This crisis shows that the Earth is not large enough
for progress, for the speed of History (as we have it). Hence
repetitive accidents. We were living in the belief that we had both a
past and a future. But 'the past does not pass', it has become a
monster, so much so that we do not mention it anymore. And as far as
the future is concerned, it is severely questioned by the issue of
the environment, and the end of natural resources like oil. So the
only place left for us to inhabit is the present. But the writer
Octavio Paz said it before: "you cannot live in the present moment,
just as you cannot live in the future". It is exactly what all of us
are now going through, and that includes the bankers.
GC/MG: But did not the financial world bring about (invent) a virtual
world?
PV: Since speed earns money, the financial sphere has attempted to
enforce the value of time above the value of space. But the virtual
is also part and parcel of reality. And to be frank with you, this so-
called virtual world, in which one can also include tax-heavens, is a
form of exotism, which I tend to equate with colonialism. It is the
(recurrent) myth of another livable planet.
GC/MG: As opposed to other accidents, the crash of the stock exchange
remains something of an enigma to the public at large. Is this bad?
PV: Well, one does not understand the fine points, but one can guess,
and that is enough. One must guess (about) what occurs. Not being
able to understand naturally reinforces fear. But, at the same time,
we do not longer have the time left to experience fear. What is
really disturbing is the rise of a 'civil deterrence' of sorts, which
is individual and intimate, and which permeates all aspects of life.
We are being deterred to do this or that as individuals. Ever since
9-11 we have been affected by a 'civil fear', and the
industrialisation of the accident is its root cause. So, in order to
study the impact of collisions, car makers stage 'test crashes'. The
crash of the stock exchange is such a test crash - but at the real
level. Even the break-up of relationships has been industrialised.
One could even introduce some mechanism of quotes for divorces,
risking hereby to show that the traditional couple and family has
become an illusion.
GC/MG: Could one also speak of a morality of the stock exchange
crash, in the sence that also those who were making fortunes get
blasted?
PV: I am not a vigilante. I do empathise with critics who say that
some people have made obscene profits. I do not deny the damage
caused by the accumulation of riches in a few hands. But to merely
criticise this acceleration of profits and History, this "galloping
avarice", as Eugene Sue called it, while remaining in the materialist
framework of profit, is a deficient, reductionist analysis. What is
happening is much more complex, and profoundly disturbing. We have
gone into someting of a different nature. This economy of wealth has
become an economy of speed. By the way, this is the problem the Left
is currently facing. The Left is stuck in its old framework, states
that capitalism is dead, and now thinks that more social justice is
to come about. This is a bit hasty a deduction. We do really have a
major problem on our plates... If the state does not take stock of
this 'futurism of the moment', we might well see instead a capitalism
running riot without bounds whatsoever.
GC/MG: You wrote once "By designing a 800 passengers plane, the firm
Airbus has simultaneously created 800 potential casualties". But till
now, the crash of the stock exchange did not kill anyone...
PV: The crash is not the Black Death, there haven't been millions of
victims, and it's not the 11th of September either. We are not
talking death here, save maybe a few suicides. The victims are
somewhere else to be found. Where did the current crisis stem from?
the answer is: subprime mortgages; housing credit that proved
unsustainable; land. The victims are the hundred of thousands of
people who are going to lose their homes. The whole concept of
sedentarism had already been challenged by immigrants, exiles,
deportations, refugees - and the delocalisation of economic
activities. This phenomenon is bound to increase. Till 2040, one
billion people will have to move out from their residence. Those are
the victims. We are in the realm of "stop/eject". People are
arrested, get expelled.
GC/MG: You believe in chaos?
PV: Having destabilized the financial system, the stock exchange
crash might well destabilise the state, which is the guarantor of
last resort of collective life. For the time being, the state tries
te be reassuring. But if the bourses keep on heading south, it will
be state itself that will go in receivership, and that will plunge
nations into chaos. This is not me embracing catastrophism. I do not
believe in the unavoidability of the worst possible, I do not believe
in chaos, that is an untenable position, intellectual arrogance. But
that does not mean that one should be prevented from thinking about
it. Faced with absolute fear, I counter with hope absolute. Churchill
said once that an optimist is somebody who sees opportunity hiding
behind every calamity.
Translated by patrice riemens with thanks to apo33 in Nantes for
providing facilitation.
Distributed as CC by-nc-nd
http://creativecommons.org/licenses/by-nc-nd/2.0/
David Maisel
http://www.davidmaisel.com/works/picture.asp?cat=lod&tl=library%20of%20dust
http://www.davidmaisel.com/works/picture.asp?cat=asy&tl=asylum
http://www.davidmaisel.com/works/picture.asp?cat=obl&tl=oblivion
http://www.davidmaisel.com/works/picture.asp?cat=ter&tl=terminal%20mirage
http://www.davidmaisel.com/
http://www.davidmaisel.com/works/picture.asp?cat=asy&tl=asylum
http://www.davidmaisel.com/works/picture.asp?cat=obl&tl=oblivion
http://www.davidmaisel.com/works/picture.asp?cat=ter&tl=terminal%20mirage
http://www.davidmaisel.com/
Daan van Golden
http://outsidetheivorytower.blogspot.com/2006/05/daan-van-golden.html
http://www.gms.be/index.php?content=artist_detail&id_artist=40
http://www.gms.be/index.php?content=artist_exhibition&exhib_id=111&id_exhibition=111&id_artist=40
http://www.lespressesdureel.com/EN/ouvrage.php?id=100&menu=2
http://www.knaw.nl/heinekenprizes/pdf/52.pdf
http://www.knaw.nl/heinekenprizes/pdf/LaudatioVanGolden_ENG.pdf
http://huubkoch.nl/imagine_friends2.html
http://www.gms.be/index.php?content=artist_detail&id_artist=40
http://www.gms.be/index.php?content=artist_exhibition&exhib_id=111&id_exhibition=111&id_artist=40
http://www.lespressesdureel.com/EN/ouvrage.php?id=100&menu=2
http://www.knaw.nl/heinekenprizes/pdf/52.pdf
http://www.knaw.nl/heinekenprizes/pdf/LaudatioVanGolden_ENG.pdf
http://huubkoch.nl/imagine_friends2.html
Derek Jarman
Wittgenstein:
http://video.google.com/videoplay?docid=2608378371506756422
Blue:
http://www.youtube.com/watch?v=_e6ml3ZCiT4
Art of Mirrors:
http://www.youtube.com/watch?v=eWjeKyMzVFk
http://www.youtube.com/watch?v=DOGUz041muY
Derek Jarman + Throbbing Gristle:
http://www.youtube.com/watch?v=1TDJGt5Kr3A
Face to Face - Derek Jarman:
http://www.youtube.com/watch?v=1s0EWtuhrsw
http://www.youtube.com/watch?v=lc8urRjs0-8
Dungeness:
http://www.flickr.com/photos/bus_stop/sets/856765/
http://www.tate.org.uk/britain/exhibitions/artofthegarden/artistsgardens_jarman.htm
http://en.wikipedia.org/wiki/Derek_Jarman
http://video.google.com/videoplay?docid=2608378371506756422
Blue:
http://www.youtube.com/watch?v=_e6ml3ZCiT4
Art of Mirrors:
http://www.youtube.com/watch?v=eWjeKyMzVFk
http://www.youtube.com/watch?v=DOGUz041muY
Derek Jarman + Throbbing Gristle:
http://www.youtube.com/watch?v=1TDJGt5Kr3A
Face to Face - Derek Jarman:
http://www.youtube.com/watch?v=1s0EWtuhrsw
http://www.youtube.com/watch?v=lc8urRjs0-8
Dungeness:
http://www.flickr.com/photos/bus_stop/sets/856765/
http://www.tate.org.uk/britain/exhibitions/artofthegarden/artistsgardens_jarman.htm
http://en.wikipedia.org/wiki/Derek_Jarman
Ken Jacobs
Star Spangled to Death:
http://video.google.com/videoplay?docid=791460611929484959&hl=en
http://video.google.com/videoplay?docid=-3892846277071258393
http://video.google.com/videoplay?docid=8730652405743394280&hl=en
http://www.villagevoice.com/2003-10-14/film/witnessing-an-underdog-s-personal-uncontrolled-fantasy/
(See archive section):
http://www.tank.tv/
A Conversation with Ken Jacobs and Family:
http://www.logosjournal.com/issue_4.3/jacobs.htm
Conversations with History: Ken Jacobs:
http://www.youtube.com/watch?v=CEVss-csGF8
http://video.google.com/videoplay?docid=791460611929484959&hl=en
http://video.google.com/videoplay?docid=-3892846277071258393
http://video.google.com/videoplay?docid=8730652405743394280&hl=en
http://www.villagevoice.com/2003-10-14/film/witnessing-an-underdog-s-personal-uncontrolled-fantasy/
(See archive section):
http://www.tank.tv/
A Conversation with Ken Jacobs and Family:
http://www.logosjournal.com/issue_4.3/jacobs.htm
Conversations with History: Ken Jacobs:
http://www.youtube.com/watch?v=CEVss-csGF8
La Monte Young
Well tuned piano:
http://www.youtube.com/watch?v=Fn2CJmFrUmU
The Second Dream of the High-Tension Line Stepdown Transformer:
http://www.youtube.com/watch?v=yfZzz58VUaw
http://www.youtube.com/watch?v=eXRT8UjmJKo
119 Bank St., La Monte Young Apt., 1 of 3:
http://www.youtube.com/watch?v=4IfzftLO87E
http://en.wikipedia.org/wiki/La_Monte_Young
http://www.youtube.com/watch?v=Fn2CJmFrUmU
The Second Dream of the High-Tension Line Stepdown Transformer:
http://www.youtube.com/watch?v=yfZzz58VUaw
http://www.youtube.com/watch?v=eXRT8UjmJKo
119 Bank St., La Monte Young Apt., 1 of 3:
http://www.youtube.com/watch?v=4IfzftLO87E
http://en.wikipedia.org/wiki/La_Monte_Young
Olia Lialina
Frozen-Niki:
http://frozen-niki.org/
Midnight:
http://art.teleportacia.org/exhibition/midnight/
Location="Yes":
http://art.teleportacia.org/Location_Yes/
Some Universe:
http://art.teleportacia.org/exhibition/stellastar/
Three Blingee Masterpieces:
http://art.teleportacia.org/exhibition/blingee/
Zombie And Mummy:
http://www.zombie-and-mummy.org/
http://art.teleportacia.org/
http://frozen-niki.org/
Midnight:
http://art.teleportacia.org/exhibition/midnight/
Location="Yes":
http://art.teleportacia.org/Location_Yes/
Some Universe:
http://art.teleportacia.org/exhibition/stellastar/
Three Blingee Masterpieces:
http://art.teleportacia.org/exhibition/blingee/
Zombie And Mummy:
http://www.zombie-and-mummy.org/
http://art.teleportacia.org/
Emil Nolde
http://www.artline.ro/admin/_files/photogallery/the_sea_b.jpg
http://www.earthecho.com/gallery/autumn_sea_vii.jpg
http://tigtail.org/TIG/S_View/TVM/B/European/a.%20pre%20WW%20I/German-Austrian/nolde/M/nolde_autumn_sea_vii.1910.jpg
http://tigtail.org/TIG/S_View/TVM/B/European/a.%20pre%20WW%20I/German-Austrian/nolde/M/nolde_red_clouds.1930.jpg
http://tigtail.org/TIG/S_View/TVM/B/European/a.%20pre%20WW%20I/German-Austrian/nolde/nolde.html#Nolte
http://www.earthecho.com/gallery/autumn_sea_vii.jpg
http://tigtail.org/TIG/S_View/TVM/B/European/a.%20pre%20WW%20I/German-Austrian/nolde/M/nolde_autumn_sea_vii.1910.jpg
http://tigtail.org/TIG/S_View/TVM/B/European/a.%20pre%20WW%20I/German-Austrian/nolde/M/nolde_red_clouds.1930.jpg
http://tigtail.org/TIG/S_View/TVM/B/European/a.%20pre%20WW%20I/German-Austrian/nolde/nolde.html#Nolte
Karel Zeman
Inspiration:
http://www.youtube.com/watch?v=JE_zjmVO90w
1001 Nights:
http://www.youtube.com/watch?v=5LWmEDDZd4w
Bird Island:
http://www.youtube.com/watch?v=QU_u2ZkeX9Q
Krabat:
http://www.youtube.com/watch?v=7ELdvDOBhNU
Vynález Zkázy (8 parts):
http://www.youtube.com/watch?v=Oy8lgBZI0mQ
http://www.youtube.com/watch?v=JE_zjmVO90w
1001 Nights:
http://www.youtube.com/watch?v=5LWmEDDZd4w
Bird Island:
http://www.youtube.com/watch?v=QU_u2ZkeX9Q
Krabat:
http://www.youtube.com/watch?v=7ELdvDOBhNU
Vynález Zkázy (8 parts):
http://www.youtube.com/watch?v=Oy8lgBZI0mQ
Michel de Broin
http://micheldebroin.org/projects/kos/index.html
Great Encounter:
http://www.todayandtomorrow.net/2008/10/31/great-encounter/
Shared Propulsion Car:
http://micheldebroin.org/projects/spc/index.html
http://www.youtube.com/watch?v=ynTKnPehv24
Silent Screaming:
http://micheldebroin.org/projects/silent_screaming/index.html
Keep on Smoking:
http://micheldebroin.org/projects/kos/index.html
Superficial:
http://micheldebroin.org/projects/super/index.html
Stick to Resist:
http://micheldebroin.org/projects/str/index.html
Lost Object:
http://micheldebroin.org/projects/io/index.html
http://micheldebroin.org/projects/io/video.html
Dangerous SUbstance:
http://micheldebroin.org/projects/md/index.html
Great Encounter:
http://www.todayandtomorrow.net/2008/10/31/great-encounter/
Shared Propulsion Car:
http://micheldebroin.org/projects/spc/index.html
http://www.youtube.com/watch?v=ynTKnPehv24
Silent Screaming:
http://micheldebroin.org/projects/silent_screaming/index.html
Keep on Smoking:
http://micheldebroin.org/projects/kos/index.html
Superficial:
http://micheldebroin.org/projects/super/index.html
Stick to Resist:
http://micheldebroin.org/projects/str/index.html
Lost Object:
http://micheldebroin.org/projects/io/index.html
http://micheldebroin.org/projects/io/video.html
Dangerous SUbstance:
http://micheldebroin.org/projects/md/index.html
Crossroads
(Tom Waits/William Burroughs)
Now, George was a good straight boy to begin with, but there was bad blood
In him; someway he got into the magic bullets and that leads straight to
Devil's work, just like marijuana leads to heroin; you think you can take
Them bullets or leave 'em, do you?
Just save a few for your bad days
Well, now, we all have those bad days when you can't shoot for shit.
The more of them magics you use, the more bad days you have without them
So it comes down finally to all your days being bad without the bullets
It's magics or nothing
Time to stop chippying around and kidding yourself,
Kid, you're hooked, heavy as lead
And that's where old George found himself
Out there at the crossroads
Molding the Devil's bullets
Now a man figures it's his bullets, so it will
Hit what he wants to hit
But it don't always work that way
You see, some bullets is special for a single aim
A certain stag, or a certain person
And no matter where you are, that's where the bullet will end up
And in the moment of aiming, the gun turns into a dowser's wand
And point where the bullet wants to go
(George Schmid was moving in a series of convulsive spasms, like someone
with an epileptic fit, with his face distorted and his eyes wild like a
lassoed horse bracing his legs. But something kept pulling him on. And now
he is picking up the skulls and making the circle.)
I guess old George didn't rightly know what he's getting himself into
The fit was on him and it carried him right to the crossroads
http://www.geocities.com/soho/7587/black.html
Now, George was a good straight boy to begin with, but there was bad blood
In him; someway he got into the magic bullets and that leads straight to
Devil's work, just like marijuana leads to heroin; you think you can take
Them bullets or leave 'em, do you?
Just save a few for your bad days
Well, now, we all have those bad days when you can't shoot for shit.
The more of them magics you use, the more bad days you have without them
So it comes down finally to all your days being bad without the bullets
It's magics or nothing
Time to stop chippying around and kidding yourself,
Kid, you're hooked, heavy as lead
And that's where old George found himself
Out there at the crossroads
Molding the Devil's bullets
Now a man figures it's his bullets, so it will
Hit what he wants to hit
But it don't always work that way
You see, some bullets is special for a single aim
A certain stag, or a certain person
And no matter where you are, that's where the bullet will end up
And in the moment of aiming, the gun turns into a dowser's wand
And point where the bullet wants to go
(George Schmid was moving in a series of convulsive spasms, like someone
with an epileptic fit, with his face distorted and his eyes wild like a
lassoed horse bracing his legs. But something kept pulling him on. And now
he is picking up the skulls and making the circle.)
I guess old George didn't rightly know what he's getting himself into
The fit was on him and it carried him right to the crossroads
http://www.geocities.com/soho/7587/black.html
Constant Dullaart
Stabilized earthquake:
http://www.youtube.com/watch?v=ewc9mUeoHjQ
YouTube as a subject:
http://www.constantdullaart.com/site/html/new/youtubeasasubject.html
Gif highschool:
http://www.constantdullaart.com/site/gif/gifhorses.gif
DVD logo:
http://www.constantdullaart.com/sketches/DVD_Video_NEW_LOGO.tif
Parasite sculpture:
http://flickr.com/photos/constantdullaart/2729662817/in/photostream/
http://www.blownupblowup.com/
http://www.blownupballoon.com/
http://www.blownupexplosion.com/
http://www.thedisagreeinginternet.com/
http://www.constantdullaart.com/
http://www.youtube.com/watch?v=ewc9mUeoHjQ
YouTube as a subject:
http://www.constantdullaart.com/site/html/new/youtubeasasubject.html
Gif highschool:
http://www.constantdullaart.com/site/gif/gifhorses.gif
DVD logo:
http://www.constantdullaart.com/sketches/DVD_Video_NEW_LOGO.tif
Parasite sculpture:
http://flickr.com/photos/constantdullaart/2729662817/in/photostream/
http://www.blownupblowup.com/
http://www.blownupballoon.com/
http://www.blownupexplosion.com/
http://www.thedisagreeinginternet.com/
http://www.constantdullaart.com/
Jesper Carlsen
Manual animations for ipod:
http://www.jesper-carlsen.com/projects/2006_ipod_manual_ani.html
Squirels:
http://www.jesper-carlsen.com/projects/2006_squirrels.html
Corvus monedula:
http://www.jesper-carlsen.com/projects/2005_the_alig.html
Bouncing a ball between the floor and the gallery wall with changing rhythm:
http://www.jesper-carlsen.com/projects/2008_bounsing.html
Gulls:
http://www.jesper-carlsen.com/projects/2006_gulls.html
On the Perimeter of a Square:
http://www.jesper-carlsen.com/projects/2007_BN.html
Simulating Gravity:
http://www.jesper-carlsen.com/projects/2007_2001_sim_gravity.html
D. Light:
http://www.jesper-carlsen.com/projects/2007_d_light.html
Pine forest:
http://www.jesper-carlsen.com/projects/2006_pine_forest.html
Mirror lake:
http://www.jesper-carlsen.com/projects/2005_mirror_lake.html
http://www.jesper-carlsen.com/
http://www.jesper-carlsen.com/projects/2006_ipod_manual_ani.html
Squirels:
http://www.jesper-carlsen.com/projects/2006_squirrels.html
Corvus monedula:
http://www.jesper-carlsen.com/projects/2005_the_alig.html
Bouncing a ball between the floor and the gallery wall with changing rhythm:
http://www.jesper-carlsen.com/projects/2008_bounsing.html
Gulls:
http://www.jesper-carlsen.com/projects/2006_gulls.html
On the Perimeter of a Square:
http://www.jesper-carlsen.com/projects/2007_BN.html
Simulating Gravity:
http://www.jesper-carlsen.com/projects/2007_2001_sim_gravity.html
D. Light:
http://www.jesper-carlsen.com/projects/2007_d_light.html
Pine forest:
http://www.jesper-carlsen.com/projects/2006_pine_forest.html
Mirror lake:
http://www.jesper-carlsen.com/projects/2005_mirror_lake.html
http://www.jesper-carlsen.com/
Travis Hallenbeck
Thumbnails:
http://anotherunknowntime.com/compressed.html
Favorites:
http://anotherunknowntime.com/favorites.PNG
Favorites 2:
http://anotherunknowntime.com/favorites2.PNG
General Midi:
http://anotherunknowntime.com/GM/GM.html
http://anotherunknowntime.com/
http://anotherunknowntime.com/compressed.html
Favorites:
http://anotherunknowntime.com/favorites.PNG
Favorites 2:
http://anotherunknowntime.com/favorites2.PNG
General Midi:
http://anotherunknowntime.com/GM/GM.html
http://anotherunknowntime.com/
Guthrie Lonergan
Mall march:
http://www.youtube.com/watch?v=b-ftpWz2hQU
Hotel Fantasy:
http://theageofmammals.com/research/?p=33
Artist Looking at Camera:
http://www.vimeo.com/908317
Bricks:
http://www.theageofmammals.com/bricks/bricks.mov
Domain:
http://www.youtube.com/watch?v=XdD07UH1ZvI
Marathon:
http://www.theageofmammals.com/marathon/
Internet groupshot:
http://www.theageofmammals.com/groupshot/
Wipeouts:
http://nastynets.com/pages/wipeouts.html
http://theageofmammals.com
http://www.youtube.com/watch?v=b-ftpWz2hQU
Hotel Fantasy:
http://theageofmammals.com/research/?p=33
Artist Looking at Camera:
http://www.vimeo.com/908317
Bricks:
http://www.theageofmammals.com/bricks/bricks.mov
Domain:
http://www.youtube.com/watch?v=XdD07UH1ZvI
Marathon:
http://www.theageofmammals.com/marathon/
Internet groupshot:
http://www.theageofmammals.com/groupshot/
Wipeouts:
http://nastynets.com/pages/wipeouts.html
http://theageofmammals.com
Iman Issa
Making Places (c-prints), 2007-2008:
http://www.cairobus.com/imanissa/making-places-c-prints
Images of a Center, 2005:
http://www.cairobus.com/imanissa/images-of-a-center
Meeting Point, 2004:
http://www.cairobus.com/imanissa/meeting-point
http://www.cairobus.com/imanissa/
http://www.cairobus.com/imanissa/making-places-c-prints
Images of a Center, 2005:
http://www.cairobus.com/imanissa/images-of-a-center
Meeting Point, 2004:
http://www.cairobus.com/imanissa/meeting-point
http://www.cairobus.com/imanissa/
Kristof Kintera
Miracle (500 days from 12. 09. 2008), 2008:
http://www.kristofkintera.com/pages-work/miracle/miracle1.htm
A bigger problem than yours, 2007:
http://www.kristofkintera.com/pages-work/a-bigger-problem-than-yours/a-bigger-problem-than-yours-video.htm
There is no way to go now, 2007:
http://www.kristofkintera.com/pages-work/there-is-no-way/there-is-no-way1.htm
Revolution, 2005:
http://www.kristofkintera.com/pages-work/revolution/revolution-video.htm
Conflict of interests, 2004:
http://www.kristofkintera.com/pages-work/conflict-of-interests/conflict-of-interests-video.htm
Something electric, 2004:
http://www.kristofkintera.com/pages-work/something-electric/something-electric-video.htm
It is beginning, 2004:
http://www.kristofkintera.com/pages-work/it-is-beginning/it-is-beginning-video.htm
I can`t sleep, 2004:
http://www.kristofkintera.com/pages-work/i-cant-sleep/i-cant-sleep-video.htm
Unhappy coincidence, 2004:
http://www.kristofkintera.com/pages-work/unhappy-coincidence/unhappy-coincidence-video.htm
I am sick of it all! 2003:
http://www.kristofkintera.com/pages-work/i-am-sick/i-am-sick-video.htm
It, 1996:
http://www.kristofkintera.com/pages-work/it/it1.htm
Do not touch! 1996:
http://www.kristofkintera.com/pages-work/do-not-touch/do-not-touch1.htm
http://www.kristofkintera.com/
http://www.kristofkintera.com/pages-work/miracle/miracle1.htm
A bigger problem than yours, 2007:
http://www.kristofkintera.com/pages-work/a-bigger-problem-than-yours/a-bigger-problem-than-yours-video.htm
There is no way to go now, 2007:
http://www.kristofkintera.com/pages-work/there-is-no-way/there-is-no-way1.htm
Revolution, 2005:
http://www.kristofkintera.com/pages-work/revolution/revolution-video.htm
Conflict of interests, 2004:
http://www.kristofkintera.com/pages-work/conflict-of-interests/conflict-of-interests-video.htm
Something electric, 2004:
http://www.kristofkintera.com/pages-work/something-electric/something-electric-video.htm
It is beginning, 2004:
http://www.kristofkintera.com/pages-work/it-is-beginning/it-is-beginning-video.htm
I can`t sleep, 2004:
http://www.kristofkintera.com/pages-work/i-cant-sleep/i-cant-sleep-video.htm
Unhappy coincidence, 2004:
http://www.kristofkintera.com/pages-work/unhappy-coincidence/unhappy-coincidence-video.htm
I am sick of it all! 2003:
http://www.kristofkintera.com/pages-work/i-am-sick/i-am-sick-video.htm
It, 1996:
http://www.kristofkintera.com/pages-work/it/it1.htm
Do not touch! 1996:
http://www.kristofkintera.com/pages-work/do-not-touch/do-not-touch1.htm
http://www.kristofkintera.com/
Jonas Dahlberg
Three Rooms, 2008:
http://www.jonasdahlberg.com/02_works/15_ThreeRooms/Three_rooms_livingroom.mov
http://www.jonasdahlberg.com/02_works/15_ThreeRooms/Three_rooms_bedroom.mov
http://www.jonasdahlberg.com/02_works/15_ThreeRooms/Three_rooms_diningroom.mov
Invisible Cities, 2004/2005:
http://www.jonasdahlberg.com/02_works/11_InvisibleCities/invisiblecities.mov
Safe Zones no 9, 2004:
http://www.jonasdahlberg.com/02_works/10_SafeZones9/02_Installation_views.htm
Weightless Space, 2004:
http://www.jonasdahlberg.com/02_works/09_WeightlessSpace/Weightless_Space.mov
One-Way Street, 2002:
http://www.jonasdahlberg.com/02_works/07_OneWayStreet/One_way_Street.mov
Untitled (Vertical Sliding), 2001:
http://www.jonasdahlberg.com/02_works/06_Vertical_Sliding/Untitled_Vertical_Sliding.mov
Safe Zones No. 7, 2001:
http://www.jonasdahlberg.com/02_works/08_SafeZones8/02_Installation_views.htm
Untitled (Horizontal Sliding), 2000:
http://www.jonasdahlberg.com/02_works/04_Horizontal_Sliding/Untitled_Horizontal_Sliding.mov
Untitled (Billboard), 2000:
http://www.jonasdahlberg.com/02_works/03_Billboard/02_Billboard.htm
http://www.jonasdahlberg.com/
http://www.jonasdahlberg.com/02_works/15_ThreeRooms/Three_rooms_livingroom.mov
http://www.jonasdahlberg.com/02_works/15_ThreeRooms/Three_rooms_bedroom.mov
http://www.jonasdahlberg.com/02_works/15_ThreeRooms/Three_rooms_diningroom.mov
Invisible Cities, 2004/2005:
http://www.jonasdahlberg.com/02_works/11_InvisibleCities/invisiblecities.mov
Safe Zones no 9, 2004:
http://www.jonasdahlberg.com/02_works/10_SafeZones9/02_Installation_views.htm
Weightless Space, 2004:
http://www.jonasdahlberg.com/02_works/09_WeightlessSpace/Weightless_Space.mov
One-Way Street, 2002:
http://www.jonasdahlberg.com/02_works/07_OneWayStreet/One_way_Street.mov
Untitled (Vertical Sliding), 2001:
http://www.jonasdahlberg.com/02_works/06_Vertical_Sliding/Untitled_Vertical_Sliding.mov
Safe Zones No. 7, 2001:
http://www.jonasdahlberg.com/02_works/08_SafeZones8/02_Installation_views.htm
Untitled (Horizontal Sliding), 2000:
http://www.jonasdahlberg.com/02_works/04_Horizontal_Sliding/Untitled_Horizontal_Sliding.mov
Untitled (Billboard), 2000:
http://www.jonasdahlberg.com/02_works/03_Billboard/02_Billboard.htm
http://www.jonasdahlberg.com/
Adam Parker Smith
Sunset Now:
http://adamparkersmith.com/?p=70
He Delivers Me From Deep Water:
http://adamparkersmith.com/?paged=5
http://adamparkersmith.com/?p=70
He Delivers Me From Deep Water:
http://adamparkersmith.com/?paged=5
Collectif Fact
The Chase, 2008:
http://www.collectif-fact.ch/chase/photo1.html
Reliefs, 2005:
http://www.collectif-fact.ch/relief/video.html
Ce qui arrive, 2005:
http://www.collectif-fact.ch/cequiarrive/video.html
Loading, 2005:
http://www.collectif-fact.ch/loading/video.html
Bubblecars, 2004:
http://www.collectif-fact.ch/bubblecars/video.html
Circus, 2004:
http://www.collectif-fact.ch/circus/video.html
Plattform, 2004:
http://www.collectif-fact.ch/plattform/video.html
Expanded Play Time, 2004:
http://www.collectif-fact.ch/playtime/video.html
Habita, 2003:
http://www.collectif-fact.ch/habita/video.html
Datatown, 2002:
http://www.collectif-fact.ch/datatown/video.html
http://www.collectif-fact.ch/chase/photo1.html
Reliefs, 2005:
http://www.collectif-fact.ch/relief/video.html
Ce qui arrive, 2005:
http://www.collectif-fact.ch/cequiarrive/video.html
Loading, 2005:
http://www.collectif-fact.ch/loading/video.html
Bubblecars, 2004:
http://www.collectif-fact.ch/bubblecars/video.html
Circus, 2004:
http://www.collectif-fact.ch/circus/video.html
Plattform, 2004:
http://www.collectif-fact.ch/plattform/video.html
Expanded Play Time, 2004:
http://www.collectif-fact.ch/playtime/video.html
Habita, 2003:
http://www.collectif-fact.ch/habita/video.html
Datatown, 2002:
http://www.collectif-fact.ch/datatown/video.html
William Lamson
Timeline:
http://www.williamlamson.com/#/selected_work/timeline/works/9
Work and Trade:
http://www.williamlamson.com/#/selected_work/work_and_trade/installation/6
Automatic:
http://www.williamlamson.com/#/selected_work/automatic/sea_drawings/1
Tundra:
http://www.youtube.com/watch?v=JHG51K1uPsw
Emerge:
http://www.todayandtomorrow.net/2008/07/02/emerge-by-william-lamson/
Yard:
http://www.youtube.com/watch?v=nR6j93U87_U
Vital Capacity:
http://www.youtube.com/watch?v=ebhm7DHMjfM
Hunt and Gather:
http://www.youtube.com/watch?v=zGLFs2C7Z0Y
http://www.todayandtomorrow.net/2008/10/17/william-lamson/
http://www.williamlamson.com
http://www.williamlamson.com/#/selected_work/timeline/works/9
Work and Trade:
http://www.williamlamson.com/#/selected_work/work_and_trade/installation/6
Automatic:
http://www.williamlamson.com/#/selected_work/automatic/sea_drawings/1
Tundra:
http://www.youtube.com/watch?v=JHG51K1uPsw
Emerge:
http://www.todayandtomorrow.net/2008/07/02/emerge-by-william-lamson/
Yard:
http://www.youtube.com/watch?v=nR6j93U87_U
Vital Capacity:
http://www.youtube.com/watch?v=ebhm7DHMjfM
Hunt and Gather:
http://www.youtube.com/watch?v=zGLFs2C7Z0Y
http://www.todayandtomorrow.net/2008/10/17/william-lamson/
http://www.williamlamson.com
Nue Propriété
She falls in love with a local chef who lives next door. Maybe more accurately, she falls in love with the world the chef creates with her when they are in each other’s company. When we stay in a love relationship with someone, the love is not simply about how we interact and are drawn to the other person. Over time, the love thrives because we fall in love with the environments we create in each other’s homes, activities, and social circles. We don’t just fall in love with the person, we fall in love with the world they’ve created around them in the company of their familiars.
(...)
The movie suggests how we treat our “enemies,” the people with whom we have strong conflicts of interest, probably says as much or more about us as how we treat the people we care about and with whom we are not in conflict. If you want to know someone more fully, investigate how they have treated their enemies and the people from their previous relationships.
http://sexualityinart.wordpress.com/2008/10/11/private-property-a-film-review-a-long-days-journey-into-the-next-day/
(...)
The movie suggests how we treat our “enemies,” the people with whom we have strong conflicts of interest, probably says as much or more about us as how we treat the people we care about and with whom we are not in conflict. If you want to know someone more fully, investigate how they have treated their enemies and the people from their previous relationships.
http://sexualityinart.wordpress.com/2008/10/11/private-property-a-film-review-a-long-days-journey-into-the-next-day/
10 top music videos made by artists
http://www.artfagcity.com/2008/10/13/10-top-music-videos-made-by-artists-contemporary-edition/
The second video "Michael Jackson - Leave me alone" is missing but available here:
http://www.youtube.com/watch?v=CbH04pY7alA
Beck/Jeremy Blake, Round the Bend (2002) is not available on Europe apparently due to lack of intelligence.
The second video "Michael Jackson - Leave me alone" is missing but available here:
http://www.youtube.com/watch?v=CbH04pY7alA
Beck/Jeremy Blake, Round the Bend (2002) is not available on Europe apparently due to lack of intelligence.
gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com
Electric sweat:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/electricsweat.html
Lord of the flies:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/lordof.html
Infinite fill variation:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/infinitefill.html
100 meter marquee:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/100mmarquee.html
Twenty years ago today:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/20y.html
Photoshop asteroids:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/asteroids.html
Joseph Beuys gif:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/BEUYS.GIF
Guitar solo 3-way:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/guitarsolo.html
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/electricsweat.html
Lord of the flies:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/lordof.html
Infinite fill variation:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/infinitefill.html
100 meter marquee:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/100mmarquee.html
Twenty years ago today:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/20y.html
Photoshop asteroids:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/asteroids.html
Joseph Beuys gif:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/BEUYS.GIF
Guitar solo 3-way:
http://www.gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com/guitarsolo.html
Mark Jenkins
Street:
http://www.xmarkjenkinsx.com/outside.html
Nature:
http://www.xmarkjenkinsx.com/nature.html
Storker Project:
http://www.xmarkjenkinsx.com/storker.html
Tape Sculpture:
http://www.tapesculpture.org/
http://www.xmarkjenkinsx.com/
http://www.xmarkjenkinsx.com/outside.html
Nature:
http://www.xmarkjenkinsx.com/nature.html
Storker Project:
http://www.xmarkjenkinsx.com/storker.html
Tape Sculpture:
http://www.tapesculpture.org/
http://www.xmarkjenkinsx.com/
We thought people would like them.
About Laurie Anderson - The End of the Moon:
Near the beginning of her show, she described a conversation with the NASA official who chose the pink-and-blue color scheme for the Hubble photographs of the universe. (Some of the tints picked up by instruments could not be seen by the human eye.)
When she asked him how he had chosen those colors, he innocently said, "We thought people would like them."
http://www.nytimes.com/2004/11/11/arts/design/11moon.html
Near the beginning of her show, she described a conversation with the NASA official who chose the pink-and-blue color scheme for the Hubble photographs of the universe. (Some of the tints picked up by instruments could not be seen by the human eye.)
When she asked him how he had chosen those colors, he innocently said, "We thought people would like them."
http://www.nytimes.com/2004/11/11/arts/design/11moon.html
Ramsay Stirling
Enduring Freedom:
http://ramsaystirling.com/Work/EnduringFreedom
The Slim Possibility of Thought in the Mind of Someone Specific:
http://ramsaystirling.com/Work/SlimPossibility
How Soon Is..
http://ramsaystirling.com/Work/HowSoonIs
http://ramsaystirling.com/Root/Work
http://ramsaystirling.com/Work/EnduringFreedom
The Slim Possibility of Thought in the Mind of Someone Specific:
http://ramsaystirling.com/Work/SlimPossibility
How Soon Is..
http://ramsaystirling.com/Work/HowSoonIs
http://ramsaystirling.com/Root/Work
Damon Zucconi
Pole Shift:
http://www.damonzucconi.com/index.php/Work/PoleShift
Edge Transfer:
http://www.damonzucconi.com/index.php/Work/EdgeTransfer
Slow Rave (last moments of Trance Energy 2006):
http://damonzucconi.com/Work/SlowRave
http://www.damonzucconi.com/
http://www.damonzucconi.com/index.php/Work/PoleShift
Edge Transfer:
http://www.damonzucconi.com/index.php/Work/EdgeTransfer
Slow Rave (last moments of Trance Energy 2006):
http://damonzucconi.com/Work/SlowRave
http://www.damonzucconi.com/
Kelly Mark
Horroridor:
http://www.ireallyshould.com/Horroridor1.html
A Man & Woman:
http://www.ireallyshould.com/AManAndAWoman1.html
The Kiss:
http://www.ireallyshould.com/TheKiss.html
Demonstration:
http://www.ireallyshould.com/Demonstration1.html
Music Video Series:
http://www.ireallyshould.com/MusicVideoSeries1.html
Sniff:
http://www.ireallyshould.com/Sniff1.html
http://www.ireallyshould.com/Horroridor1.html
A Man & Woman:
http://www.ireallyshould.com/AManAndAWoman1.html
The Kiss:
http://www.ireallyshould.com/TheKiss.html
Demonstration:
http://www.ireallyshould.com/Demonstration1.html
Music Video Series:
http://www.ireallyshould.com/MusicVideoSeries1.html
Sniff:
http://www.ireallyshould.com/Sniff1.html
Those without beards
Wearily, he proffers a letter sent by the Taliban: "Those without beards, those who drive on the left like the British, those who sell shaving kits, make-up or bras will be killed."
The Economist, Sep 18th 2008: Pakistan’s tribal areas - A wild frontier
The Economist, Sep 18th 2008: Pakistan’s tribal areas - A wild frontier
Keith Loutit
Bathtub IV:
http://www.youtube.com/watch?v=Us6kDalkqgM
Metal Heart:
http://vimeo.com/2317118
Bathtub II:
http://vimeo.com/1789964
Beached:
http://vimeo.com/1785993
Bathtub III:
http://vimeo.com/1831024
The North Wind Blew South:
http://vimeo.com/1953467
http://vimeo.com/keithloutit
http://keithloutit.com/2008/11/23/metal-skin/
http://www.youtube.com/watch?v=Us6kDalkqgM
Metal Heart:
http://vimeo.com/2317118
Bathtub II:
http://vimeo.com/1789964
Beached:
http://vimeo.com/1785993
Bathtub III:
http://vimeo.com/1831024
The North Wind Blew South:
http://vimeo.com/1953467
http://vimeo.com/keithloutit
http://keithloutit.com/2008/11/23/metal-skin/
Robby Müller
The problem is, there are many films made today where the colour is not really necessary, but you don't have a choice because the distributor wants colour so he can sell it. But I always have a kind of "thinking exercise" with the director, "Why not in B&W?" or "Why not in colour?" So if we explain it to ourselves we know where we have to pay attention because if you make the kind of films I generally make colour could give you too much information.
http://moviexpress.tripod.com/id9.htm
http://theartofmemory.blogspot.com/2007/03/robby-mller-cinematographer.html
http://www.youtube.com/watch?v=NDLd2rULl3A
http://www.youtube.com/watch?v=5jEfuqAMCa4
http://en.wikipedia.org/wiki/Robby_M%C3%BCller
http://moviexpress.tripod.com/id9.htm
http://theartofmemory.blogspot.com/2007/03/robby-mller-cinematographer.html
http://www.youtube.com/watch?v=NDLd2rULl3A
http://www.youtube.com/watch?v=5jEfuqAMCa4
http://en.wikipedia.org/wiki/Robby_M%C3%BCller
John Cage
Part 1:
http://www.youtube.com/watch?v=Sbp4rkenEak
Part 2:
http://www.youtube.com/watch?v=Flx_KkG7POw
Part 3:
http://www.youtube.com/watch?v=xvgMbozXYGE
Part 4:
http://www.youtube.com/watch?v=sI06jMv5k4c
Part 5:
http://www.youtube.com/watch?v=m36Xa3UeWq4
Part 6:
http://www.youtube.com/watch?v=rWT_XbrdRKA
Part 7:
http://www.youtube.com/watch?v=NHCSo4vF-RI
Water Walk:
http://www.youtube.com/watch?v=SSulycqZH-U
http://www.youtube.com/watch?v=Sbp4rkenEak
Part 2:
http://www.youtube.com/watch?v=Flx_KkG7POw
Part 3:
http://www.youtube.com/watch?v=xvgMbozXYGE
Part 4:
http://www.youtube.com/watch?v=sI06jMv5k4c
Part 5:
http://www.youtube.com/watch?v=m36Xa3UeWq4
Part 6:
http://www.youtube.com/watch?v=rWT_XbrdRKA
Part 7:
http://www.youtube.com/watch?v=NHCSo4vF-RI
Water Walk:
http://www.youtube.com/watch?v=SSulycqZH-U
I heard somebody say, 'Where's Mandela?'
In a speech defending his administration's Iraq policy, Mr Bush said former Iraqi leader Saddam Hussein's brutality had made it impossible to find a leader who could unite the country.
"I heard somebody say, 'Where's Mandela?'," he said.
"Well, Mandela's dead because Saddam Hussein killed all the Mandelas."
The bizarre gaffe was made in a press conference in Washington yesterday.
http://www.news.com.au/story/0,23599,22461883-2,00.html
"I heard somebody say, 'Where's Mandela?'," he said.
"Well, Mandela's dead because Saddam Hussein killed all the Mandelas."
The bizarre gaffe was made in a press conference in Washington yesterday.
http://www.news.com.au/story/0,23599,22461883-2,00.html
Morrissey
Every Day Is Like Sunday:
http://www.youtube.com/watch?v=1IbJQ4YAPRo
Suedehead:
http://www.youtube.com/watch?v=PR5LS_LAnWw
There Is A Light That Never Goes Out:
http://www.youtube.com/watch?v=INgXzChwipY&feature=related
http://www.youtube.com/watch?v=1IbJQ4YAPRo
Suedehead:
http://www.youtube.com/watch?v=PR5LS_LAnWw
There Is A Light That Never Goes Out:
http://www.youtube.com/watch?v=INgXzChwipY&feature=related
We'll make great pets
Children are innocent
A teenager's fucked up in the head
Adults are even more fucked up
And elderlies are like children
(...)
http://www.musicsonglyrics.com/P/pornoforpyroslyrics/pornoforpyrospetslyrics.htm
A teenager's fucked up in the head
Adults are even more fucked up
And elderlies are like children
(...)
http://www.musicsonglyrics.com/P/pornoforpyroslyrics/pornoforpyrospetslyrics.htm
Chris Marker
L'Ouvroir (2008):
http://www.gamescenes.org/2010/11/game-art-chris-markers-louvroir-2008.html
Pictures at an exhibition:
http://www.gamescenes.org/2010/11/event-chris-markers-pictures-at-an-exhibition-2010.html
Les Astronautes: Chris Marker/Walerian Borowczyk
http://www.youtube.com/watch?v=1b6eSg1R5UM
http://www.youtube.com/watch?v=mdrP-4x4Czs
Three Cheers for a Whale:
http://www.youtube.com/watch?v=6ojBek_-DTA
"At war and loving it!!!", a clip from a 1977 documentary by Chris Marker, "Le fond de l'air est rouge":
http://www.youtube.com/watch?v=PXIXa-PXGYI
Les Statues Meurent Aussi, Alain Resnais and Chris Marker, 1950-1953:
http://www.youtube.com/watch?v=d5Pb9nykjQA
http://www.youtube.com/watch?v=gWU09XM5Hl8
http://www.youtube.com/watch?v=tUiV0Xou9FE
"Video games are the first stage in a plan for machines to help the human race, the only plan that offers a future for intelligence. For the moment, the inseparable philosophy of our time is contained in the Pac-Man... Perhaps because he is the most perfect graphic metaphor of man's fate, he puts into true perspective the balance of power between theindividual and the environment. And he tells us soberly that though there may be honour in carrying out the greatestnumber of victorious attacks, it always comes a cropper." - Chris Marker, Sans Soleil
He became internationally known for the short film La Jetée (1962). It tells the story of a post-nuclear war experiment in time travel by using a series of filmed photographs developed as a photomontage of varying pace with limited narration and sound effects.
In the 2007 Criterion Collection release of La Jetée and Sans Soleil, marker included a short essay entitiled "Working on a shoestring budget". He confessed to shooting all of Sans Soleil with a silent film camera and recording all the audio on a primitive audio cassette recorder. Marker also reminds the reader that only one short scene in La Jette is of a moving image, only being able to borrow a movie camera for one afternoon while working on the film.
Chris Marker lives in Paris and does not grant interviews. When asked for a picture of himself, he usually offers a photograph of a cat instead. His cat is named Guillaume-en-egypte.
http://en.wikipedia.org/wiki/Chris_Marker
http://www.gamescenes.org/2010/11/game-art-chris-markers-louvroir-2008.html
Pictures at an exhibition:
http://www.gamescenes.org/2010/11/event-chris-markers-pictures-at-an-exhibition-2010.html
Les Astronautes: Chris Marker/Walerian Borowczyk
http://www.youtube.com/watch?v=1b6eSg1R5UM
http://www.youtube.com/watch?v=mdrP-4x4Czs
Three Cheers for a Whale:
http://www.youtube.com/watch?v=6ojBek_-DTA
"At war and loving it!!!", a clip from a 1977 documentary by Chris Marker, "Le fond de l'air est rouge":
http://www.youtube.com/watch?v=PXIXa-PXGYI
Les Statues Meurent Aussi, Alain Resnais and Chris Marker, 1950-1953:
http://www.youtube.com/watch?v=d5Pb9nykjQA
http://www.youtube.com/watch?v=gWU09XM5Hl8
http://www.youtube.com/watch?v=tUiV0Xou9FE
"Video games are the first stage in a plan for machines to help the human race, the only plan that offers a future for intelligence. For the moment, the inseparable philosophy of our time is contained in the Pac-Man... Perhaps because he is the most perfect graphic metaphor of man's fate, he puts into true perspective the balance of power between theindividual and the environment. And he tells us soberly that though there may be honour in carrying out the greatestnumber of victorious attacks, it always comes a cropper." - Chris Marker, Sans Soleil
He became internationally known for the short film La Jetée (1962). It tells the story of a post-nuclear war experiment in time travel by using a series of filmed photographs developed as a photomontage of varying pace with limited narration and sound effects.
In the 2007 Criterion Collection release of La Jetée and Sans Soleil, marker included a short essay entitiled "Working on a shoestring budget". He confessed to shooting all of Sans Soleil with a silent film camera and recording all the audio on a primitive audio cassette recorder. Marker also reminds the reader that only one short scene in La Jette is of a moving image, only being able to borrow a movie camera for one afternoon while working on the film.
Chris Marker lives in Paris and does not grant interviews. When asked for a picture of himself, he usually offers a photograph of a cat instead. His cat is named Guillaume-en-egypte.
http://en.wikipedia.org/wiki/Chris_Marker
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