David Schnell
http://visualinventory.blogspot.com/2009/12/david-schnell.html
http://www.mart.trento.it/UploadImgs/1990_05__DSchnell_Thermik.jpg
http://visualinventory.blogspot.com/2008/05/david-schnell.html
http://thoughtsonart.com/artists/schnell_david_german_art_painting/schnell_david_rauch_german_painter.html
http://arthistory.about.com/od/from_exhibitions/ig/lifeafterdeath/lad_frye_04.htm
http://www.washingtonpost.com/wp-dyn/content/article/2006/10/02/AR2006100201295.html
http://www.eigen-art.com/Kuenstlerseiten/David_Schnell/DSchnell_EA08_EN.html
http://www.eigen-art.com/Kuenstlerseiten/David_Schnell/DSchnell_LW_EN.html
http://www.mart.trento.it/UploadImgs/1990_05__DSchnell_Thermik.jpg
http://visualinventory.blogspot.com/2008/05/david-schnell.html
http://thoughtsonart.com/artists/schnell_david_german_art_painting/schnell_david_rauch_german_painter.html
http://arthistory.about.com/od/from_exhibitions/ig/lifeafterdeath/lad_frye_04.htm
http://www.washingtonpost.com/wp-dyn/content/article/2006/10/02/AR2006100201295.html
http://www.eigen-art.com/Kuenstlerseiten/David_Schnell/DSchnell_EA08_EN.html
http://www.eigen-art.com/Kuenstlerseiten/David_Schnell/DSchnell_LW_EN.html
Tobias Madison
The Last Panda Just Died:
http://daskonkret.com/madison/panda/Untitled.html
http://daskonkret.com/madison/
http://daskonkret.com/madison/panda/Untitled.html
http://daskonkret.com/madison/
Bani Abidi
Security Barriers A-L:
http://www.baniabidi.com/links/BarrierA.html
http://www.baniabidi.com/works.html
http://www.baniabidi.com/links/BarrierA.html
http://www.baniabidi.com/works.html
moresoon.org
Introducing:
http://moresoon.org/projects/introducing.html
Tales of the Unexpected:
http://moresoon.org/projects/Tales_of_the_Unexpected.html
A Strange Theory of Light and Matter:
http://moresoon.org/projects/strange.html
http://moresoon.org/
http://moresoon.org/projects/introducing.html
Tales of the Unexpected:
http://moresoon.org/projects/Tales_of_the_Unexpected.html
A Strange Theory of Light and Matter:
http://moresoon.org/projects/strange.html
http://moresoon.org/
Responses to YouTube
Die Zeit: Do you concern yourself with new media and technology?
Jean-Luc Godard: I try to keep up. But people make films on the Internet to show that
they exist, not in order to look at things.
http://networkcultures.org/wpmu/portal/files/2008/10/vv_reader_small.pdf
Jean-Luc Godard: I try to keep up. But people make films on the Internet to show that
they exist, not in order to look at things.
http://networkcultures.org/wpmu/portal/files/2008/10/vv_reader_small.pdf
Psychology of Victimhood
http://jonesthought.wordpress.com/2008/10/09/psychology-of-victimhood-by-ofer-zur-phd
Wolfgang Tillmans
http://outsidetheivorytower.blogspot.com/2008/08/wolfgang-tillmans.html
http://www.tillmans.co.uk/images/stories/pdf/WT_US_Tour_Catalogue_2006-07.pdf
http://outsidetheivorytower.blogspot.com/2008/08/wolfgang-tillmans.html
http://www.portlandart.net/archives/2006/08/tillmans_in_chi.html
http://www.maureenpaley.com/maureenpaley.php?color=yellow&element=4093&id_cache=1-28-3&element_inside=4100
http://mooonriver.blogspot.com/2008/08/wolfgang-tillmans-irresistible-work.html
http://www.tillmans.co.uk/
http://www.tillmans.co.uk/images/stories/pdf/WT_US_Tour_Catalogue_2006-07.pdf
http://outsidetheivorytower.blogspot.com/2008/08/wolfgang-tillmans.html
http://www.portlandart.net/archives/2006/08/tillmans_in_chi.html
http://www.maureenpaley.com/maureenpaley.php?color=yellow&element=4093&id_cache=1-28-3&element_inside=4100
http://mooonriver.blogspot.com/2008/08/wolfgang-tillmans-irresistible-work.html
http://www.tillmans.co.uk/
Claire Evans
Ok to Go:
http://vimeo.com/1559805
Digital Decay:
http://vimeo.com/400918
Stranger in a Strange Land:
http://www.vimeo.com/2024516
http://www.clairelevans.com/video.html
http://vimeo.com/1559805
Digital Decay:
http://vimeo.com/400918
Stranger in a Strange Land:
http://www.vimeo.com/2024516
http://www.clairelevans.com/video.html
Gebhard Sengmüller
Vinyl Video:
http://www.gebseng.com/03_vinylvideo/
VSSTV - Very Slow Scan Television:
http://www.gebseng.com/02_vsstv/
A Parallel Image:
http://www.gebseng.com/08_a_parallel_image/promo_pics/
Slide Movie - Diafilmprojektor:
http://www.gebseng.com/04_slidemovie/
TV Poetry:
http://www.gebseng.com/05_tv_poetry/
http://www.gebseng.com/
http://www.gebseng.com/03_vinylvideo/
VSSTV - Very Slow Scan Television:
http://www.gebseng.com/02_vsstv/
A Parallel Image:
http://www.gebseng.com/08_a_parallel_image/promo_pics/
Slide Movie - Diafilmprojektor:
http://www.gebseng.com/04_slidemovie/
TV Poetry:
http://www.gebseng.com/05_tv_poetry/
http://www.gebseng.com/
Le krach actuel représente l'accident intégral par excellence
Paul Virilo interviewed by Gerard Courtois and Michel Guerrin.
original article (in French) in le Monde at: http://tinyurl.com/57a3hb
For thirty years now, the philospher Paul Virilio analyses the
catastrophe as the unavoidable consequence of technological progress.
He sees in the current financial crisis the most accomplished example
of his theory, a catastrophe where the victims do not actually die,
but lose the roof above their heads by the thousands.
Gerard Courtois/Michel Guerrin: In 2002 you have produced an
exhibition at the Maison Cartier under the title "Ce qui
arrive" ('that what occurs' ['Unknown quantity', in its official
english title]); It was about the accident in contemporary history:
Tchernobyl, 9-11, the Tsunami... A statement by Hannah Arendt was the
marker of your demonstration: "progress and catastrophe are the two
faces of the same coin". Is this where we have come to with the
'crash of the stock exchange'?
Paul Virilio: Well, of course. In 1979, at the time of the mishap at
the Three Mile Island nuclear plant in the U.S., I did mention the
occurrence of an "original accident" - the kind of accident we bring
forth ourselves. I said that our technical prowess was pregnant of
catastrophic promises. In the past, accidents were local affairs.
With Tchernobyl, we have entered the era of global accidents, whose
consequences are in the realm of the long term. The current crash
represents the perfect 'integral accident'.
Its effect ripple far and wide, and it incorporates the
representation of all other accidents. For thirty years now, the
phenomenon of History accelerating has been negated, together with
the fact that this acceleration has been the prime mover of the
proliferation of major accidents. Freud said it, speaking of death:
"accumulation snuffs out the perception of contingency". Contingency
is the key word here. These accidents are not contigent occurences.
For the time being, the prevalent opinion is that researching the
crash of the stock exchange as a political and economic issue and in
terms of its social consequences is adequate enough. But it is
impossible to understand what is going on if one does not implement a
(policy based on the) political economy of speed, the speed that
technological progress engenders, and if one does not link (this
policy) to the 'accidental' character of History. Let's take just one
example: the dictum "time is money". I add to this, and the stock
exchange testify to it: "speed is power". We have moved from the
stage of the acceleration of History to that of the acceleration of
the Real. This is what 'the progress' is: a consensual sacrifice.
GC/MG: So accidents are too little researched?
PV: The dominant form of writing about History limits itself to the
study of facts as seen in the light of the long term. Contrarywise, I
advocate a study of History based exlusively on ruptures. (French)
Historian Francois Hartog calls the dominant paradigm "presentism".
We must go further. Our paradigm should be "instantaneism". In order
to study accidents, one of course must research them, but also
'expose' them. The accident is 'invented', it a work of creation. Who
could be more apt than artists to make feel the tragic dimention of
human development (progress)? That was the intent behind the "ce qui
arrive" exhibition - where, by the way, I did mention a stock
exchange crash. It stood for the museum, or the observatory, of major
accidents that I'd like to see coming about some day. Not in order to
instill fear, but to make us face up.
GC/MG: But then, how would you define the crash of the stock
exchange, over and beyond its surprise element?
PV: Like with any contemporary event, it is essential to take into
account the integration in synchronous time of various issues at the
world-level. A synchronisation has taken place of customs, habits,
mores, ways to react to things, and also, of emotions. We have left
the era of class-based communitarism for that of instant and
simultaneous globalisation of affects and fears - but not longer of
opinions. It was already the case with the attacks on the World Trade
Center and with the Tsunami. The same happens now with the financial
crash. After a short 'technical' phase - bank collapses, shares fall-
out - kicks in a phase of 'hystery-isation' of responses. There is
talk of "markets going mad", of "irrational" reactions, you'd almost
call it 'end of the world craze'. Terrorists have very well
understood this mechanism, and they make use of it.
GC/MG Do you, like some people do, believe that capitalism is nearing
its end?
PV: I rather believe that the end is nearing capitalism. My field is
urban studies. This crisis shows that the Earth is not large enough
for progress, for the speed of History (as we have it). Hence
repetitive accidents. We were living in the belief that we had both a
past and a future. But 'the past does not pass', it has become a
monster, so much so that we do not mention it anymore. And as far as
the future is concerned, it is severely questioned by the issue of
the environment, and the end of natural resources like oil. So the
only place left for us to inhabit is the present. But the writer
Octavio Paz said it before: "you cannot live in the present moment,
just as you cannot live in the future". It is exactly what all of us
are now going through, and that includes the bankers.
GC/MG: But did not the financial world bring about (invent) a virtual
world?
PV: Since speed earns money, the financial sphere has attempted to
enforce the value of time above the value of space. But the virtual
is also part and parcel of reality. And to be frank with you, this so-
called virtual world, in which one can also include tax-heavens, is a
form of exotism, which I tend to equate with colonialism. It is the
(recurrent) myth of another livable planet.
GC/MG: As opposed to other accidents, the crash of the stock exchange
remains something of an enigma to the public at large. Is this bad?
PV: Well, one does not understand the fine points, but one can guess,
and that is enough. One must guess (about) what occurs. Not being
able to understand naturally reinforces fear. But, at the same time,
we do not longer have the time left to experience fear. What is
really disturbing is the rise of a 'civil deterrence' of sorts, which
is individual and intimate, and which permeates all aspects of life.
We are being deterred to do this or that as individuals. Ever since
9-11 we have been affected by a 'civil fear', and the
industrialisation of the accident is its root cause. So, in order to
study the impact of collisions, car makers stage 'test crashes'. The
crash of the stock exchange is such a test crash - but at the real
level. Even the break-up of relationships has been industrialised.
One could even introduce some mechanism of quotes for divorces,
risking hereby to show that the traditional couple and family has
become an illusion.
GC/MG: Could one also speak of a morality of the stock exchange
crash, in the sence that also those who were making fortunes get
blasted?
PV: I am not a vigilante. I do empathise with critics who say that
some people have made obscene profits. I do not deny the damage
caused by the accumulation of riches in a few hands. But to merely
criticise this acceleration of profits and History, this "galloping
avarice", as Eugene Sue called it, while remaining in the materialist
framework of profit, is a deficient, reductionist analysis. What is
happening is much more complex, and profoundly disturbing. We have
gone into someting of a different nature. This economy of wealth has
become an economy of speed. By the way, this is the problem the Left
is currently facing. The Left is stuck in its old framework, states
that capitalism is dead, and now thinks that more social justice is
to come about. This is a bit hasty a deduction. We do really have a
major problem on our plates... If the state does not take stock of
this 'futurism of the moment', we might well see instead a capitalism
running riot without bounds whatsoever.
GC/MG: You wrote once "By designing a 800 passengers plane, the firm
Airbus has simultaneously created 800 potential casualties". But till
now, the crash of the stock exchange did not kill anyone...
PV: The crash is not the Black Death, there haven't been millions of
victims, and it's not the 11th of September either. We are not
talking death here, save maybe a few suicides. The victims are
somewhere else to be found. Where did the current crisis stem from?
the answer is: subprime mortgages; housing credit that proved
unsustainable; land. The victims are the hundred of thousands of
people who are going to lose their homes. The whole concept of
sedentarism had already been challenged by immigrants, exiles,
deportations, refugees - and the delocalisation of economic
activities. This phenomenon is bound to increase. Till 2040, one
billion people will have to move out from their residence. Those are
the victims. We are in the realm of "stop/eject". People are
arrested, get expelled.
GC/MG: You believe in chaos?
PV: Having destabilized the financial system, the stock exchange
crash might well destabilise the state, which is the guarantor of
last resort of collective life. For the time being, the state tries
te be reassuring. But if the bourses keep on heading south, it will
be state itself that will go in receivership, and that will plunge
nations into chaos. This is not me embracing catastrophism. I do not
believe in the unavoidability of the worst possible, I do not believe
in chaos, that is an untenable position, intellectual arrogance. But
that does not mean that one should be prevented from thinking about
it. Faced with absolute fear, I counter with hope absolute. Churchill
said once that an optimist is somebody who sees opportunity hiding
behind every calamity.
Translated by patrice riemens with thanks to apo33 in Nantes for
providing facilitation.
Distributed as CC by-nc-nd
http://creativecommons.org/licenses/by-nc-nd/2.0/
original article (in French) in le Monde at: http://tinyurl.com/57a3hb
For thirty years now, the philospher Paul Virilio analyses the
catastrophe as the unavoidable consequence of technological progress.
He sees in the current financial crisis the most accomplished example
of his theory, a catastrophe where the victims do not actually die,
but lose the roof above their heads by the thousands.
Gerard Courtois/Michel Guerrin: In 2002 you have produced an
exhibition at the Maison Cartier under the title "Ce qui
arrive" ('that what occurs' ['Unknown quantity', in its official
english title]); It was about the accident in contemporary history:
Tchernobyl, 9-11, the Tsunami... A statement by Hannah Arendt was the
marker of your demonstration: "progress and catastrophe are the two
faces of the same coin". Is this where we have come to with the
'crash of the stock exchange'?
Paul Virilio: Well, of course. In 1979, at the time of the mishap at
the Three Mile Island nuclear plant in the U.S., I did mention the
occurrence of an "original accident" - the kind of accident we bring
forth ourselves. I said that our technical prowess was pregnant of
catastrophic promises. In the past, accidents were local affairs.
With Tchernobyl, we have entered the era of global accidents, whose
consequences are in the realm of the long term. The current crash
represents the perfect 'integral accident'.
Its effect ripple far and wide, and it incorporates the
representation of all other accidents. For thirty years now, the
phenomenon of History accelerating has been negated, together with
the fact that this acceleration has been the prime mover of the
proliferation of major accidents. Freud said it, speaking of death:
"accumulation snuffs out the perception of contingency". Contingency
is the key word here. These accidents are not contigent occurences.
For the time being, the prevalent opinion is that researching the
crash of the stock exchange as a political and economic issue and in
terms of its social consequences is adequate enough. But it is
impossible to understand what is going on if one does not implement a
(policy based on the) political economy of speed, the speed that
technological progress engenders, and if one does not link (this
policy) to the 'accidental' character of History. Let's take just one
example: the dictum "time is money". I add to this, and the stock
exchange testify to it: "speed is power". We have moved from the
stage of the acceleration of History to that of the acceleration of
the Real. This is what 'the progress' is: a consensual sacrifice.
GC/MG: So accidents are too little researched?
PV: The dominant form of writing about History limits itself to the
study of facts as seen in the light of the long term. Contrarywise, I
advocate a study of History based exlusively on ruptures. (French)
Historian Francois Hartog calls the dominant paradigm "presentism".
We must go further. Our paradigm should be "instantaneism". In order
to study accidents, one of course must research them, but also
'expose' them. The accident is 'invented', it a work of creation. Who
could be more apt than artists to make feel the tragic dimention of
human development (progress)? That was the intent behind the "ce qui
arrive" exhibition - where, by the way, I did mention a stock
exchange crash. It stood for the museum, or the observatory, of major
accidents that I'd like to see coming about some day. Not in order to
instill fear, but to make us face up.
GC/MG: But then, how would you define the crash of the stock
exchange, over and beyond its surprise element?
PV: Like with any contemporary event, it is essential to take into
account the integration in synchronous time of various issues at the
world-level. A synchronisation has taken place of customs, habits,
mores, ways to react to things, and also, of emotions. We have left
the era of class-based communitarism for that of instant and
simultaneous globalisation of affects and fears - but not longer of
opinions. It was already the case with the attacks on the World Trade
Center and with the Tsunami. The same happens now with the financial
crash. After a short 'technical' phase - bank collapses, shares fall-
out - kicks in a phase of 'hystery-isation' of responses. There is
talk of "markets going mad", of "irrational" reactions, you'd almost
call it 'end of the world craze'. Terrorists have very well
understood this mechanism, and they make use of it.
GC/MG Do you, like some people do, believe that capitalism is nearing
its end?
PV: I rather believe that the end is nearing capitalism. My field is
urban studies. This crisis shows that the Earth is not large enough
for progress, for the speed of History (as we have it). Hence
repetitive accidents. We were living in the belief that we had both a
past and a future. But 'the past does not pass', it has become a
monster, so much so that we do not mention it anymore. And as far as
the future is concerned, it is severely questioned by the issue of
the environment, and the end of natural resources like oil. So the
only place left for us to inhabit is the present. But the writer
Octavio Paz said it before: "you cannot live in the present moment,
just as you cannot live in the future". It is exactly what all of us
are now going through, and that includes the bankers.
GC/MG: But did not the financial world bring about (invent) a virtual
world?
PV: Since speed earns money, the financial sphere has attempted to
enforce the value of time above the value of space. But the virtual
is also part and parcel of reality. And to be frank with you, this so-
called virtual world, in which one can also include tax-heavens, is a
form of exotism, which I tend to equate with colonialism. It is the
(recurrent) myth of another livable planet.
GC/MG: As opposed to other accidents, the crash of the stock exchange
remains something of an enigma to the public at large. Is this bad?
PV: Well, one does not understand the fine points, but one can guess,
and that is enough. One must guess (about) what occurs. Not being
able to understand naturally reinforces fear. But, at the same time,
we do not longer have the time left to experience fear. What is
really disturbing is the rise of a 'civil deterrence' of sorts, which
is individual and intimate, and which permeates all aspects of life.
We are being deterred to do this or that as individuals. Ever since
9-11 we have been affected by a 'civil fear', and the
industrialisation of the accident is its root cause. So, in order to
study the impact of collisions, car makers stage 'test crashes'. The
crash of the stock exchange is such a test crash - but at the real
level. Even the break-up of relationships has been industrialised.
One could even introduce some mechanism of quotes for divorces,
risking hereby to show that the traditional couple and family has
become an illusion.
GC/MG: Could one also speak of a morality of the stock exchange
crash, in the sence that also those who were making fortunes get
blasted?
PV: I am not a vigilante. I do empathise with critics who say that
some people have made obscene profits. I do not deny the damage
caused by the accumulation of riches in a few hands. But to merely
criticise this acceleration of profits and History, this "galloping
avarice", as Eugene Sue called it, while remaining in the materialist
framework of profit, is a deficient, reductionist analysis. What is
happening is much more complex, and profoundly disturbing. We have
gone into someting of a different nature. This economy of wealth has
become an economy of speed. By the way, this is the problem the Left
is currently facing. The Left is stuck in its old framework, states
that capitalism is dead, and now thinks that more social justice is
to come about. This is a bit hasty a deduction. We do really have a
major problem on our plates... If the state does not take stock of
this 'futurism of the moment', we might well see instead a capitalism
running riot without bounds whatsoever.
GC/MG: You wrote once "By designing a 800 passengers plane, the firm
Airbus has simultaneously created 800 potential casualties". But till
now, the crash of the stock exchange did not kill anyone...
PV: The crash is not the Black Death, there haven't been millions of
victims, and it's not the 11th of September either. We are not
talking death here, save maybe a few suicides. The victims are
somewhere else to be found. Where did the current crisis stem from?
the answer is: subprime mortgages; housing credit that proved
unsustainable; land. The victims are the hundred of thousands of
people who are going to lose their homes. The whole concept of
sedentarism had already been challenged by immigrants, exiles,
deportations, refugees - and the delocalisation of economic
activities. This phenomenon is bound to increase. Till 2040, one
billion people will have to move out from their residence. Those are
the victims. We are in the realm of "stop/eject". People are
arrested, get expelled.
GC/MG: You believe in chaos?
PV: Having destabilized the financial system, the stock exchange
crash might well destabilise the state, which is the guarantor of
last resort of collective life. For the time being, the state tries
te be reassuring. But if the bourses keep on heading south, it will
be state itself that will go in receivership, and that will plunge
nations into chaos. This is not me embracing catastrophism. I do not
believe in the unavoidability of the worst possible, I do not believe
in chaos, that is an untenable position, intellectual arrogance. But
that does not mean that one should be prevented from thinking about
it. Faced with absolute fear, I counter with hope absolute. Churchill
said once that an optimist is somebody who sees opportunity hiding
behind every calamity.
Translated by patrice riemens with thanks to apo33 in Nantes for
providing facilitation.
Distributed as CC by-nc-nd
http://creativecommons.org/licenses/by-nc-nd/2.0/
David Maisel
http://www.davidmaisel.com/works/picture.asp?cat=lod&tl=library%20of%20dust
http://www.davidmaisel.com/works/picture.asp?cat=asy&tl=asylum
http://www.davidmaisel.com/works/picture.asp?cat=obl&tl=oblivion
http://www.davidmaisel.com/works/picture.asp?cat=ter&tl=terminal%20mirage
http://www.davidmaisel.com/
http://www.davidmaisel.com/works/picture.asp?cat=asy&tl=asylum
http://www.davidmaisel.com/works/picture.asp?cat=obl&tl=oblivion
http://www.davidmaisel.com/works/picture.asp?cat=ter&tl=terminal%20mirage
http://www.davidmaisel.com/
Daan van Golden
http://outsidetheivorytower.blogspot.com/2006/05/daan-van-golden.html
http://www.gms.be/index.php?content=artist_detail&id_artist=40
http://www.gms.be/index.php?content=artist_exhibition&exhib_id=111&id_exhibition=111&id_artist=40
http://www.lespressesdureel.com/EN/ouvrage.php?id=100&menu=2
http://www.knaw.nl/heinekenprizes/pdf/52.pdf
http://www.knaw.nl/heinekenprizes/pdf/LaudatioVanGolden_ENG.pdf
http://huubkoch.nl/imagine_friends2.html
http://www.gms.be/index.php?content=artist_detail&id_artist=40
http://www.gms.be/index.php?content=artist_exhibition&exhib_id=111&id_exhibition=111&id_artist=40
http://www.lespressesdureel.com/EN/ouvrage.php?id=100&menu=2
http://www.knaw.nl/heinekenprizes/pdf/52.pdf
http://www.knaw.nl/heinekenprizes/pdf/LaudatioVanGolden_ENG.pdf
http://huubkoch.nl/imagine_friends2.html
Derek Jarman
Wittgenstein:
http://video.google.com/videoplay?docid=2608378371506756422
Blue:
http://www.youtube.com/watch?v=_e6ml3ZCiT4
Art of Mirrors:
http://www.youtube.com/watch?v=eWjeKyMzVFk
http://www.youtube.com/watch?v=DOGUz041muY
Derek Jarman + Throbbing Gristle:
http://www.youtube.com/watch?v=1TDJGt5Kr3A
Face to Face - Derek Jarman:
http://www.youtube.com/watch?v=1s0EWtuhrsw
http://www.youtube.com/watch?v=lc8urRjs0-8
Dungeness:
http://www.flickr.com/photos/bus_stop/sets/856765/
http://www.tate.org.uk/britain/exhibitions/artofthegarden/artistsgardens_jarman.htm
http://en.wikipedia.org/wiki/Derek_Jarman
http://video.google.com/videoplay?docid=2608378371506756422
Blue:
http://www.youtube.com/watch?v=_e6ml3ZCiT4
Art of Mirrors:
http://www.youtube.com/watch?v=eWjeKyMzVFk
http://www.youtube.com/watch?v=DOGUz041muY
Derek Jarman + Throbbing Gristle:
http://www.youtube.com/watch?v=1TDJGt5Kr3A
Face to Face - Derek Jarman:
http://www.youtube.com/watch?v=1s0EWtuhrsw
http://www.youtube.com/watch?v=lc8urRjs0-8
Dungeness:
http://www.flickr.com/photos/bus_stop/sets/856765/
http://www.tate.org.uk/britain/exhibitions/artofthegarden/artistsgardens_jarman.htm
http://en.wikipedia.org/wiki/Derek_Jarman
Ken Jacobs
Star Spangled to Death:
http://video.google.com/videoplay?docid=791460611929484959&hl=en
http://video.google.com/videoplay?docid=-3892846277071258393
http://video.google.com/videoplay?docid=8730652405743394280&hl=en
http://www.villagevoice.com/2003-10-14/film/witnessing-an-underdog-s-personal-uncontrolled-fantasy/
(See archive section):
http://www.tank.tv/
A Conversation with Ken Jacobs and Family:
http://www.logosjournal.com/issue_4.3/jacobs.htm
Conversations with History: Ken Jacobs:
http://www.youtube.com/watch?v=CEVss-csGF8
http://video.google.com/videoplay?docid=791460611929484959&hl=en
http://video.google.com/videoplay?docid=-3892846277071258393
http://video.google.com/videoplay?docid=8730652405743394280&hl=en
http://www.villagevoice.com/2003-10-14/film/witnessing-an-underdog-s-personal-uncontrolled-fantasy/
(See archive section):
http://www.tank.tv/
A Conversation with Ken Jacobs and Family:
http://www.logosjournal.com/issue_4.3/jacobs.htm
Conversations with History: Ken Jacobs:
http://www.youtube.com/watch?v=CEVss-csGF8
La Monte Young
Well tuned piano:
http://www.youtube.com/watch?v=Fn2CJmFrUmU
The Second Dream of the High-Tension Line Stepdown Transformer:
http://www.youtube.com/watch?v=yfZzz58VUaw
http://www.youtube.com/watch?v=eXRT8UjmJKo
119 Bank St., La Monte Young Apt., 1 of 3:
http://www.youtube.com/watch?v=4IfzftLO87E
http://en.wikipedia.org/wiki/La_Monte_Young
http://www.youtube.com/watch?v=Fn2CJmFrUmU
The Second Dream of the High-Tension Line Stepdown Transformer:
http://www.youtube.com/watch?v=yfZzz58VUaw
http://www.youtube.com/watch?v=eXRT8UjmJKo
119 Bank St., La Monte Young Apt., 1 of 3:
http://www.youtube.com/watch?v=4IfzftLO87E
http://en.wikipedia.org/wiki/La_Monte_Young
Olia Lialina
Frozen-Niki:
http://frozen-niki.org/
Midnight:
http://art.teleportacia.org/exhibition/midnight/
Location="Yes":
http://art.teleportacia.org/Location_Yes/
Some Universe:
http://art.teleportacia.org/exhibition/stellastar/
Three Blingee Masterpieces:
http://art.teleportacia.org/exhibition/blingee/
Zombie And Mummy:
http://www.zombie-and-mummy.org/
http://art.teleportacia.org/
http://frozen-niki.org/
Midnight:
http://art.teleportacia.org/exhibition/midnight/
Location="Yes":
http://art.teleportacia.org/Location_Yes/
Some Universe:
http://art.teleportacia.org/exhibition/stellastar/
Three Blingee Masterpieces:
http://art.teleportacia.org/exhibition/blingee/
Zombie And Mummy:
http://www.zombie-and-mummy.org/
http://art.teleportacia.org/
Emil Nolde
http://www.artline.ro/admin/_files/photogallery/the_sea_b.jpg
http://www.earthecho.com/gallery/autumn_sea_vii.jpg
http://tigtail.org/TIG/S_View/TVM/B/European/a.%20pre%20WW%20I/German-Austrian/nolde/M/nolde_autumn_sea_vii.1910.jpg
http://tigtail.org/TIG/S_View/TVM/B/European/a.%20pre%20WW%20I/German-Austrian/nolde/M/nolde_red_clouds.1930.jpg
http://tigtail.org/TIG/S_View/TVM/B/European/a.%20pre%20WW%20I/German-Austrian/nolde/nolde.html#Nolte
http://www.earthecho.com/gallery/autumn_sea_vii.jpg
http://tigtail.org/TIG/S_View/TVM/B/European/a.%20pre%20WW%20I/German-Austrian/nolde/M/nolde_autumn_sea_vii.1910.jpg
http://tigtail.org/TIG/S_View/TVM/B/European/a.%20pre%20WW%20I/German-Austrian/nolde/M/nolde_red_clouds.1930.jpg
http://tigtail.org/TIG/S_View/TVM/B/European/a.%20pre%20WW%20I/German-Austrian/nolde/nolde.html#Nolte
Karel Zeman
Inspiration:
http://www.youtube.com/watch?v=JE_zjmVO90w
1001 Nights:
http://www.youtube.com/watch?v=5LWmEDDZd4w
Bird Island:
http://www.youtube.com/watch?v=QU_u2ZkeX9Q
Krabat:
http://www.youtube.com/watch?v=7ELdvDOBhNU
Vynález Zkázy (8 parts):
http://www.youtube.com/watch?v=Oy8lgBZI0mQ
http://www.youtube.com/watch?v=JE_zjmVO90w
1001 Nights:
http://www.youtube.com/watch?v=5LWmEDDZd4w
Bird Island:
http://www.youtube.com/watch?v=QU_u2ZkeX9Q
Krabat:
http://www.youtube.com/watch?v=7ELdvDOBhNU
Vynález Zkázy (8 parts):
http://www.youtube.com/watch?v=Oy8lgBZI0mQ
Michel de Broin
http://micheldebroin.org/projects/kos/index.html
Great Encounter:
http://www.todayandtomorrow.net/2008/10/31/great-encounter/
Shared Propulsion Car:
http://micheldebroin.org/projects/spc/index.html
http://www.youtube.com/watch?v=ynTKnPehv24
Silent Screaming:
http://micheldebroin.org/projects/silent_screaming/index.html
Keep on Smoking:
http://micheldebroin.org/projects/kos/index.html
Superficial:
http://micheldebroin.org/projects/super/index.html
Stick to Resist:
http://micheldebroin.org/projects/str/index.html
Lost Object:
http://micheldebroin.org/projects/io/index.html
http://micheldebroin.org/projects/io/video.html
Dangerous SUbstance:
http://micheldebroin.org/projects/md/index.html
Great Encounter:
http://www.todayandtomorrow.net/2008/10/31/great-encounter/
Shared Propulsion Car:
http://micheldebroin.org/projects/spc/index.html
http://www.youtube.com/watch?v=ynTKnPehv24
Silent Screaming:
http://micheldebroin.org/projects/silent_screaming/index.html
Keep on Smoking:
http://micheldebroin.org/projects/kos/index.html
Superficial:
http://micheldebroin.org/projects/super/index.html
Stick to Resist:
http://micheldebroin.org/projects/str/index.html
Lost Object:
http://micheldebroin.org/projects/io/index.html
http://micheldebroin.org/projects/io/video.html
Dangerous SUbstance:
http://micheldebroin.org/projects/md/index.html
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